> See A Word About Busted Pilots If it’s a procedural, this must be CBS.  HAIL MARY was one of the pilots that had initial buzz around town, and it boasted a casting coup with Minnie Driver in the lead (her first network show after doing The Riches for FX), but it’s not hard to […]

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have to fulfill the demands of the genre you’ve chosen.  If you do it right, you have […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]

> BOSS:  Fridays 10PM on Starz – Potential DVR Alert BOSS is Starz’s bid to be taken seriously as a pay-TV producer of original programming.  Up until now, Starz has been both successful (Spartacus) and not-so successful (Camelot) in its original shows, but all of them have been somewhat junky–even Torchwood:  Miracle Day, with its […]

> (RATINGS NOTE:  THE TIME-SLOT FOR ABC’S 2D EPISODE OF WORK IT BEGAN WITH A 3-MINUTE LAST MAN STANDING OVERRUN ON THE EAST COAST, WHICH MAY MAKE OVERNIGHT RATINGS LESS ACCURATE THAN USUAL.) A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  […]

> Last night, of course, was not intended to be the end of LUCK.  The enormously high-profile show, created by David Milch and with production supervised by pilot director Michael Mann, and fearuring a cast headed by Dustin Hoffman and Nick Nolte, had already been renewed for a second season, with one of those instant […]

  Watch it at home.   The deadliest weapon unleashed in BATTLE LOS ANGELES is its barrage of war-movie cliches. Stop me if you’ve heard this before, but there’s this rag-tag group of Marines, led by a hard-bitten veteran, that has to go into enemy territory to rescue some civilians before friendly forces bomb the […]

  THE HELP – Worth A Ticket:  The Story May Be Soft, The Acting Isn’t   THE HELP is–and I mean this in a good way–a big-screen Hallmark Hall of Fame.   It’s a long, absorbing, emotionally satisfying piece of mainstream Hollywood moviemaking that skims the surface of its difficult subject–the life of black maids […]