Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common. Last year we had the British biographies The Theory of Everything and The Imitation Game, which might have canceled each other out in the end. This year brings two excellent stories about journalism, Truth and now […]
Time-travel tales are everywhere on TV these days–Timeless, Making History, Time After Time and Frequency will join Legends of Tomorrow next season, and even Game of Thrones dabbled in the genre this year. But the works that take themselves seriously are fiendishly difficult to pull off, apt to fall into traps of timelines that coexist […]
THE AMERICANS: Tuesday 10PM on FX THE AMERICANS is inevitably one of those pieces of pop culture that feels more queasily topical these days (in this case, despite its 1980s setting), with its tale of Russian agents interacting with duped Americans and gaining top secret information for the good of the Motherland. The show […]
STILL STAR-CROSSED: Monday 10PM on ABC – If Nothing Else Is On… The idea of a Shonda Rhimes-produced sequel to one of Shakespeare’s classics sounds like something that might air on a satirical network, but STILL STAR-CROSSED is real, albeit relegated by ABC to its summer minor leagues. (The actual series creator/showrunner is Heather […]
RAY DONOVAN: Sunday 9PM on Showtime Showtime has been having an awful summer, marked by the abject failure of I’m Dying Up Here and Twin Peaks, an 18-hour stunt that is filling the tiniest of niches. (The soon-to-return Episodes and Dice have never been blockbusters either.) For deliverance, the network is turning to its own Monarch of Moroseness, the […]
JULIET, NAKED (no distrib): Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable. These aren’t the films that set critical hearts aflutter, but they can be worthwhile all the same. That’s the case with the likable Juliet, Naked, which continues Nick […]
No one could have known when POSE went into production that it would be Ryan Murphy’s last original series (created with Brad Falchuk and Steven Canals) for the Fox group of networks and studios, before his giant new Netflix deal kicked in. Nevertheless, Pose has had a fitting tone of valedictory, of summing up […]
THE FAREWELL (A24): Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it. It’s based on Wang’s own life, so much so that it would be a spoiler to reveal the caption to […]