DON’T BE AFRAID OF THE DARK – Not Even For Free:  No, Really–Don’t Be Afraid     FilmDistrict has gone out of its way to identify co-writer/co-producer Guillermo del Toro with DON’T BE AFRAID OF THE DARK, to the extent that from the marketing, one could easily fail to realize that the movie is […]

  VINYL:  Sunday 9PM on HBO – DVR Alert Even with an ever-increasing amount of new and emerging competition, for now at least there’s still nothing in television quite like an all-in, no-expense-spared HBO event, and the network’s rock & roll spectacle VINYL certainly qualifies.  It reunites Martin Scorsese with writer/executive producer Terence Winter, with […]

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They have a lot on their minds, from the gentrification of Oakland to police shootings of unarmed black men to the dynamics of […]

  NEW GIRL only got better this season.  There are TV comedies that are good at silly (Happy Endings, The Neighbors), and there are some that are great at soulful (Parks & Recreation more than any).  But combining silliness and soulfulness at once is a remarkable combination, and even in its first-rate initial season, New Girl […]

  It’s a little churlish, in the face of tonight’s mostly splendid Season 4 finale of THE GOOD WIFE, to point out that for the most part, the rest of the season didn’t quite live up to its high level of quality.  We will, unavoidably, get to that.  But let’s start by talking about what a […]

  LOVE ME (no distrib):  A truly existential romance.  Many years after the end of the human race, seemingly due to a combination of nuclear war and a new ice age, the two remaining artifacts with any ability to communicate are a smart ocean buoy and a satellite assigned to make contact with any life […]

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years of human experience–in this case, from the 19th to the 23rd centuries–in order to tell a larger, inspirational story about destiny and freedom.  Although […]

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about politics and terrorism, a psychological drama, and more–all at once.  That it’s succeeded much of […]