> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]
SUPERGIRL undertook a journey this season more unusual than its own heroine’s passage from Krypton to Earth, transferring from CBS to CW. It suffered little if any damage in the process–other than in the ratings, since CBS’s universe of viewers is far larger than the one at its new home. Budgets were reportedly slashed, […]
R.I.P.D.: Not Even For Free – No Life After Death For This One Ryan Reynolds plays a dead man in the new R.I.P.D., and thus it makes sense that his character would be frustrated and depressed for much of its length, but watching him, you almost feel like his glumness is a message to […]
RED BAND SOCIETY: Wednesday 9PM on FOX Previously… on RED BAND SOCIETY: In a Los Angeles hospital, a half-dozen adolescents struggle with their health and with the general problems of being teenagers. Kara (Zoe Levin) is a mean girl cheerleader who needs a heart transplant; Emma (Ciara Bravo) a studious, compassionate anorexic; Jordi (Nolan […]
LOOPER: Worth A Ticket – Maybe Too Enthralling For Its Own Good Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away. His first film, Brick, was a high school film noir so shrouded in mock-tough guy dialogue and exhaustively detailed mood that it forgot to tell […]
The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy. The auteur delights in having her characters dance on the head of conversational pins, and if her non-stop dialogue is to be more than mere verbal choreography, it’s critical that the scenes […]
MAYDAY: The fantasy whatzit is a Sundance staple, and Mayday fits into that category. (Paradise Hills was a recent example from a past festival.) Ana (Grace Van Patten), short for Anastasia, is an ignored and abused waitress who finds herself swimming through a portal to what turns out to be an otherwise deserted island […]
QUEER (A24 – TBD): Luca Guadagnino has unearthed glamour in the blood-soaked dance troupe/witches’ coven of Suspiria and the cannibal romance of Bones and All, so it shouldn’t be a surprise that his seedy 1950s Mexico City and South America of Queer glistens with swank. Queer is based (by Justin Kuritzkes, who wrote Guadagnino’s Challengers) […]