Netflix

THE SKED Netflix Review: “House of Cards” Season 2 (Eps 11-13)

Posted February 18, 2014 by Mitch Salem

  House of Cards Season 2 Eps 1-3 Review Here. Eps 4-7 Review Here. Eps 8-10 Review Here. It’s a paradox of the Netflix version of HOUSE OF CARDS that in many ways, its least interesting character is the one at its center.  Pick the wildlife metaphor of choice:  Frank Underwood (Kevin Spacey) is a […]

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Netflix

THE SKED NETFLIX REVIEW: “Hemlock Grove” (Episodes 1-3)

Posted April 24, 2013 by Mitch Salem

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-class, award-caliber dramas like House of Cards, but there will also be crap. HEMLOCK GROVE is the crap. Horribly written (Hours […]

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Netflix

THE SKED Netflix Review: “Orange Is the New Black” (Full Season 2)

Posted June 13, 2014 by Mitch Salem

  SPOILER ALERT:  This review will discuss events that occur throughout Season 2 of ORANGE IS THE NEW BLACK. The second season of ORANGE IS THE NEW BLACK, like the first, ends with an act of violence–and this one is (seemingly) more fatal than the first–and yet the tone couldn’t be more different.  Season 1 […]

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Netflix

THE SKED NETFLIX REVIEW: “Arrested Development” (Episodes 1-3)

Posted May 26, 2013 by Mitch Salem

  After an absence of more than 7 years, in many ways the early episodes of the new, Netflix-produced 4th season of ARRESTED DEVELOPMENT feel like the show never left.  (In fact, it would be unwise to tackle Season 4 without at least a working knowledge of what preceded it.)  The familiar stylistic quirks are […]

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Current Release

SHOWBUZZDAILY Sundance Film Festival Reviews: “Miss Americana,” “Ironbark” & “Scare Me”

Posted January 25, 2020 by Mitch Salem

  MISS AMERICANA (Netflix – January 31):  There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and there’s no mention of Cats), and Lana Wilson’s documentary culminates in an inspirational push that is very much on-message with Swift’s latest […]

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