Netflix

THE SKED NETFLIX REVIEW: “Hemlock Grove” (Episodes 1-3)

Posted April 24, 2013 by Mitch Salem

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-class, award-caliber dramas like House of Cards, but there will also be crap. HEMLOCK GROVE is the crap. Horribly written (Hours […]

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Netflix

THE SKED NETFLIX REVIEW: “Orange Is the New Black” (full season)

Posted July 21, 2013 by Mitch Salem

  ORANGE IS THE NEW BLACK may be the most tolerant show on television (or “television,” or whatever it is we’re calling distributed entertainment content in this new Netflixed world).  All the characters, even those who commit the most heinous acts–inmates and guards both–have their reasons and their frailties.  They’re miserably in love, or living […]

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Netflix

THE SKED NETFLIX REVIEW: “Arrested Development” (Episodes 4-7)

Posted May 29, 2013 by Mitch Salem

  See also:  THE SKED NETFLIX REVIEW:  “Arrested Development” (Episodes 1-3) A second helping of Netflix’s ARRESTED DEVELOPMENT includes 4 episodes that give a better feel for the scope and ingeniousness of this new season, 15 interlocking episodes that, for the most part, become increasingly complex and ambitious as they unspool.  Meanwhile, although Netflix doesn’t […]

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Netflix

THE SKED Netflix Review: “House of Cards” Season 2 (Eps 1-3)

Posted February 14, 2014 by Mitch Salem

  Viewers familiar with the original British HOUSE OF CARDS won’t be stunned by The Thing That Happens in the first episode of its Netflix second season, but it will start things off with a bang for those who aren’t.  Its timing represents a smart use by US series creator Beau Willimon and the other […]

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Netflix

THE SKED NETFLIX REVIEW: “Orange Is the New Black” (Episodes 1-3)

Posted July 11, 2013 by Mitch Salem

  With the arrival of ORANGE IS THE NEW BLACK after House of Cards, Hemlock Grove and Arrested Development, Netflix has completed the first quartet of its initial plunge into high-profile original programming .  Based on the available evidence (Netflix doesn’t release viewership information), the process has gone extremely well, with both subscriptions and the stock […]

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