AMERICAN CRIME: Thursday 10PM on ABC – Potential DVR Alert Recently, the broadcast networks have started kicking the tires of what we think of as “cable” oriented programming, by which we mean serialized, darker, more emotionally ambiguous and less genre-bound stories that require serious attention from viewers. This kind of programming is against broadcast TV’s […]
There were no surprises of any scale at tonight’s ACADEMY AWARDS (a full list of winners is here) , and that went for the telecast, too. Neil Patrick Harris was as personable a host as anticipated, and he/his writers were sometimes quick on their feet, as when he had a gag ready about a Documentary […]
THE NIGHT SHIFT: Tuesday 10PM on NBC Previously… on THE NIGHT SHIFT: On the 7PM-7AM shift at San Antonio Medical Center, Dr. TC Callahan (Eoin Macken) is the rebellious yet brilliant ex-Army medic who’s willing to break all the rules, damn it, because all he cares about are his patients. His ex, Jordan Alexander […]
If there’s one thing we’ve learned over the past few seasons, it’s that no matter how much a network swears it’s airing a “closed-end” or “event” series, that’s never ever the case. If the initial run of episodes have any kind of success, the network will find a way to keep the series going, […]
GALAVANT: Sunday 8PM on ABC – If Nothing Else Is On… GALAVANT is one of the goofier network enterprises in recent memory. It’s a fairy tale comedy-musical created by Dan Fogelman (whose resume covers everything from Crazy, Stupid, Love to Tangled to The Neighbors) that’s meant to be in the vein of The Princess Bride and […]
ARROW: Wednesday 8PM on CW ARROW didn’t lose a step in its second-season return, with little sign of the season-premiere-itis often afflicting serialized shows that have to dig themselves out of the plot twists forced by the previous season’s finale. The potential was there, since the episode began with Oliver Queen (Stephen Amell) having renounced […]
UNCLE BUCK: Tuesday 9PM on ABC – Change the Channel ABC’s UNCLE BUCK is exactly what you’d expect from a network sitcom left on the shelf for the entire regular broadcast season, then unloaded two at a time during the summer. As ABC sitcoms go, it is to Black-ish what Family Tools briefly was […]
It’s a continuing paradox that a show could have as many colorful characters, so terrific a cast, as much plot and incident and history (not to mention sex and violence) and visual style as BOARDWALK EMPIRE does and yet so often feel like homework. It’s a pulpy series that sometimes lets its morose sense […]