RECKLESS:  Sunday 9PM on CBS Previously… on RECKLESS:  In an ever-steamy version of Charleston, new City Attorney and general good old boy Roy Rayder (Cam Gigandet) constantly locks horns with Yankee lawyer Jamie Sawyer (Anna Wood).  One of her clients is ex-cop Lee Anne Marcus (Georgina Haig), who’s suing the department after being fired […]

  The idea of applying a deep coat of existential angst to thriller conventions isn’t new–every Sundance Film Festival has at least a couple of examples of the sub-genre, and there are even sub-sub-genres of the form, like Thomas Pynchon’s Inherent Vice and Bleeding Edge, which add surreal humor to the mix.  With 8+ hours […]

  BAD JUDGE:  Thursdays 9PM on NBC starting October 2 – Change the Channel PLAYERS:  Non-Writing Executive Producers Will Ferrell and Adam McKay (and Anne Heche).  Star Kate Walsh.  Series creator Chad Kultgen (mostly a novelist–Jason Reitman’s new dramedy movie Men, Women & Children is based on his book–although he was also a writer on, […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

  Edward Norton, a very fine actor who’s shown occasional comic chops, is the oddest choice to host SATURDAY NIGHT LIVE in recent memory.  It’s been a long, long time since he was anywhere near the forefront of the pop culture zeitgeist, and he didn’t even have anything new to plug this week.  It would […]

  WICKED CITY:  Tuesday 10PM on ABC Previously… on WICKED CITY:  In 1982 Los Angeles, serial killer Kent Grainger (Ed Westwick) is slaughtering young women he picks up on the Sunset Strip.  He’s recently acquired a new playmate, Betty Beaumontaine (Erika Christensen), a single mom and nurse with a very dark side.  Chasing Kent is […]

  Truth be told, Season 4 of COMMUNITY was probably closer to what NBC thought it was buying when it originally ordered the show than any of the seasons that preceded it.  Eccentric but not insular, offbeat but not off-putting, with a logical explanation for each seeming twist of surrealism and wrapped up whenever possible […]

    Even as the scripted drama business on the broadcast networks subsides into increasing irrelevance, new players arise who want to take part.  Dramas may not be cost-effective in the way that they once were, but they’re still an unmatched vehicle for branding–just ask AMC–and Netflix, Amazon and Hulu are among the entities who […]