> THE HOUR: Wednesday 10PM on BBCAmerica: Potential DVR Alert Here’s what’s wrong with BBCAmerica. Don’t get me wrong: it’s marvelous that BBCA exists to bring us shows like Luther, the original (and superior) Torchwood, the also original (and even more superior) Being Human, and now THE HOUR. The problem is that a BBC “1-hour” […]
The fourth and final season of Cinemax’s BANSHEE felt more like an epilogue, or even a spin-off, than a climax. It wasn’t the time jump between Seasons 3 and 4, or the shortened 8-episode order, or even the physical relocation from North Carolina to Pennsylvania (for tax credit reasons). The focus, the center of […]
If Ryan Murphy’s goal with the second season of AMERICAN CRIME STORY was to demonstrate the breadth of the show’s anthology branding, not just in subject matter but in style and structure–unlike the relative consistency of his American Horror Story, with its repertory company of writers and stars–well, mission accomplished. Murphy handed the keys […]
THE BLACKLIST was a hit before it was much of a show, and it’s still decidedly uneven. That was underscored again by tonight’s season finale, which killed off–well, apparently; you never know with this series–at least one regular and grievously injured more, but put very few cards on a table that could have used […]
A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]
The first season of THE ORIGINALS has been entertaining, if a bit more sprawling than it needed to be. A good season finale makes up for a lot, and tonight’s climactic hour, written by Co-Executive Producer Diane Ademu-John and directed by Matt Hastings, did a very satisfying job of resolving the season’s major storyline […]
The most paranormal thing about FRINGE, in the end, was that it actually survived 5 seasons on the air, as very possibly the lowest-rated series to be regularly renewed in the history of network television. (Made possible by budget restrictions and Warner Bros Television’s willingness to accept sharply lowered license fees because of the […]
UNCLE BUCK: Tuesday 9PM on ABC – Change the Channel ABC’s UNCLE BUCK is exactly what you’d expect from a network sitcom left on the shelf for the entire regular broadcast season, then unloaded two at a time during the summer. As ABC sitcoms go, it is to Black-ish what Family Tools briefly was […]