BILLIONS:  Sunday 10PM on Showtime (pilot available via VOD and streaming) – Potential DVR Alert There’s a gag in The Big Short where an esoteric piece of financial information, crucial for understanding the mortgage meltdown but hard to communicate without an audience’s eyes glazing over, is illustrated by having it explained by Margot Robbie […]

  After an entire season, it’s still not clear just what AMC’s PREACHER intends to be, but it’s been a dazzling ride all the same, sort of a Quentin Tarantino version of a Coen Brothers version of a Luis Bunuel version of the apocalypse.  Every episode has had at least one remarkable set-piece sequence, and […]

  24: LEGACY:  Monday 8PM on FOX – In the Queue It’s difficult to watch the “new” 24: LEGACY simply as a TV show.  By the time the original series went off the air in 2010, it was already more trope than drama, its many gimmicks (the “real-time” format, split screens, on-screen countdown clock, etc) […]

  If there was a way to turn its premise into a TV series worth watching, TOUCH didn’t find it.  The show tried very different approaches in its two seasons, but FOX’s cancellation notice this week closed the door on any further tries. In its first season, Touch was built around the feel-good idea that […]

  THE BRIDGE:  Wednesday 10PM on FX – DVR Alert FX has assumed a leadership role in the development of serious, ambitious TV drama over the past decade (The Shield, Rescue Me, The Americans), and with its new series THE BRIDGE, it takes on its largest canvas to date.  The Bridge, which is based on […]

  WELCOME TO SWEDEN:  Thursday 9PM on NBC – Potential DVR Alert WELCOME TO SWEDEN has one of the more unusual provenances of any show on a US broadcast network.  It was commissioned by Swedish television, where it aired last spring–and which explains its heavy use of subtitled Swedish dialogue.  Although it includes some familiar […]

  KILLJOYS is, along with Dark Matter, one of the ultra-cheap scripted pieces that Syfy runs on Friday nights.  (Defiance, which airs with them, is a somewhat more ambitious enterprise.)  The grubby aesthetics of the two Canadian imports are so similar that it’s no surprise there’s been talk about a crossover between their universes–assuming both are […]

  The original, Las Vegas-set CSI didn’t just spawn a mini-industry of its own spin-offs, but it can fairly lay claim to being one of the most influential shows of its generation, more or less inventing the subgenre of high-tech procedural that’s populated every network over the years since it began.  The series rose from […]