All season, THE TOMORROW PEOPLE has felt like the ugly stepchild of series co-creators Greg Berlanti and Julie Plec, who have more cherished children (Arrow for him, The Vampire Diaries and The Originals for her) getting the bulk of their attention. Story arcs have been haphazard, acting has been uneven and budgetary shortfalls have […]
Considering what a deeply strange series WILFRED was–even for the wilds, eventually, of FXX–tonight’s series finale provided a surprising amount of closure. The more-or-less comedy began as a raunchy riff on “man’s best friend” stories about guys and their dogs, based on an Australian format and starring Jason Gann, who’d co-created and starred in […]
BLACK-ISH: Wednesday 9:30PM on ABC – Worth A Look PLAYERS: Star and Executive Producer Anthony Anderson, and recurring guest star/EP Laurence Fishburne. (And Executive Producer Larry Wilmore, although he’s leaving the show to take over the Stephen Colbert slot on Comedy Central.) Series creator Kenya Barris. Pilot director James Griffiths. A supporting cast headed […]
In its second season, Stephen Bochco and Eric Lodal’s MURDER IN THE FIRST altered its format, only to find new ways to fail. Season 1 had told a single convoluted story, a murder mystery loaded with so many red herrings and reversals that by the time it ended, it was impossible to care who […]
FX’s just-concluded third season of Noah Hawley’s FARGO was its most divisive, and the criticisms came from a number of directions. One segment was simply done with Hawley’s theme-and variations approach to the Coen Brothers’ original film, in which each season tells a new story, but one that always features a disruptive representative of […]
LAW & ORDER: ORGANIZED CRIME – Thursday 10PM on NBC Long before Marvel had a Cinematic Universe, there was Law & Order. Dick Wolf’s behemoth kicked off in 1990, and it was joined 9 years later by SVU. At peak franchise in the mid-2000s, there were four Law & Orders on the air, […]
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]
CALIFORNICATION knew going in that this 7th season would be its last, and we’ve grown used to series in that position, from Breaking Bad to Friends to–God help us–Lost, making a special effort to provide a final run with extra impact, tying up loose ends and providing a summation of what the show has […]