> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

  Professional sports are so central to American culture, and so particularly critical to the television business, that it’s surprising the area had been largely ignored as the locale of a series until USA’s NECESSARY ROUGHNESS debuted.  Of course, since Roughness is a USA show, it’s mostly been content with superficial light drama, without any […]

  If HOMELAND hadn’t once been so good, it wouldn’t be so painful now to see what it’s become.  Season 5 was by no means terrible:  it was crisply produced, Claire Danes and Mandy Patinkin remain enviable leads, and the plotting was no sillier than that of many other TV action-adventures, which could also have […]

  ABC’s AMERICAN CRIME is Serious and Important, but how good is it?  John Ridley’s series takes on the biggest topics–all of them, it seems–from race to class to sexual orientation to school violence and the loss of privacy in the internet age, and not even Oscar-bait films wear a mantle of unrelieved misery quite […]

  PREACHER:  Sunday 9PM on AMC – Potential DVR Alert It’s not quite clear what on earth AMC’s new PREACHER is after watching its pilot, but it’s certainly intriguing.  Based on a celebrated comic book series by Garth Ennis and Steve Dillon, and widely considered unadaptable after several cycles of development hell over the years, […]

  LEGENDS OF TOMORROW‘s destiny as the goofball discard pile of CW’s DC/Greg Berlanti universe may have reached its apotheosis with tonight’s Season 3 finale, written by co-creator/Executive Producers Matt Guggenheim and Phil Klemmer.  It featured a family-sized box of former series regulars and guest stars from throughout the run of the series, but its […]

  TREME thrives on its idiosyncracies–if “thrive” is the word for a show that hardly anyone watches–and one of those is its limited interest in engaging in a “season finale.”  Thus, tonight’s close of Season 3, written by series creators David Simon and Eric Overmeyer (from a story by Simon and Anthony Bourdain–yes, that one) […]

  The problem with having your main character “go dark” is that she actually has to get somewhere.  In the Season 4 finale of COVERT AFFAIRS, Annie Walker (Piper Perabo) finally seemed to cross a line by coldbloodedly shooting her season-plus nemesis Henry Wilcox (Gregory Itzin) to death in a Hong Kong alley, but like […]