BALLERS:  Sunday 9PM on HBO – Change the Channel BALLERS is alarmingly ramshackle by HBO standards.  Of course, it’s got enough A-list lineage to justify it getting on the air several times over, with genuine movie star Dwayne Johnson in the lead, and most of the Entourage production team attached, including Mark Wahlberg, this […]

  SIGNIFICANT MOTHER:  Monday 9:30PM on CW – Change the Channel CW doesn’t air scripted half-hours in its regular season line-up, and it’s been trying its hand with them over the summer when there’s little to lose.  No one is watching its Thursday British import Dates, but it’s a surprisingly nimble set of mostly two-actor, […]

  TRUTH BE TOLD:  Friday 8:30PM on NBC – Change the Channel Out of the pit that is the current state of NBC comedy crawls TRUTH BE TOLD, which was seemingly designed to make its lead-in, the mediocre Undateable, look like a television classic.  Its creator is DJ Nash, who last gave us the semiautobiographical […]

  BORDERTOWN:  Sunday 9:30PM on FOX – Change the Channel BORDERTOWN adds a light dusting of politics to its Seth MacFarlane factory settings.  Produced by MacFarlane, and created by Family Guy writer/producer Mark Hentemann (the writing credit on the pilot is shared with “La Cucaracha” cartoonist Lalo Alcaraz, but since Alcaraz is credited only as […]

  NEW AMSTERDAM:  Tuesday 10PM on NBC You can learn much of what you need to know about NBC’s medical procedural NEW AMSTERDAM from a bit of the David Schulner pilot script: DOCTOR 1:  Look–if you can’t help [name of patient] as a doctor, then just help her as a human being. DOCTOR 2:  Am […]

  In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare.  The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the network’s current Sunday line-up–but as evidenced by its surprise writing Emmy a few weeks ago, its quality is recognized. The Season 2 finale, written […]

  Once it became clear that, for the most part, THE LAST SHIP was science fiction only in the strictest sense (there was science and it was fiction), it was fairly enjoyable for the neo-Tom Clancy-esque action-adventure it aspired to be.  Much of Season 1 was, for all intents and purposes, a Cold War saga, […]

  After three seasons, THE KILLING is still hard to get a fix on.  Technically it’s a murder mystery, but efficiently and intelligently spinning out crime stories is what it’s least good at–its narrative is notoriously overextended, sloppily plotted and reliant on bad detective work and a seemingly infinite number of red herrings.  (Even though […]