SCORPION:  Monday 9PM on CBS starting – Worth A Look PLAYERS:  The real-life hacker Walter O’Brien, on whose adventures Scorpion is (very loosely) based–and who is also an Executive Producer on the show.  Series creator Nick Santora, who created Breakout Kings and was a writer/producer on Prison Break.  Pilot director Justin Lin.  An ensemble […]

  It’s Year 40 for SATURDAY NIGHT LIVE, and like many prosperous middle-aged citizens, SNL has no interest at all in shaking up its comfortable life.  Tonight’s season premiere could, with a few cast adjustments, have been the premiere of any season over the past decade.  Even though there were only two franchise sketches on […]

  One of the ways that, even at a time overwhelmed with quality TV drama, Cinemax’s THE KNICK has proven itself extraordinary has been in its subversion of the accepted TV template.  Conventional wisdom has had it that the auteurs of television are its writer/producers, with the directors as skilled craftspeople devoted to realizing the […]

  ASCENSION:  Mon-Wed 9PM on Syfy In the post-Battlestar Galactica era, Syfy has barely even seemed to be trying.  It’s rather sad:  at a point when nearly every network–even CBS!–has at least one substantial piece of inventory in the science-fiction/fantasy genre, Syfy has been filling its air with tame programmers like Eureka and Haven, or […]

  ALLEGIANCE:  Thursday 10PM on NBC Previously… on ALLEGIANCE:  Alex O’Connor (Gavin Stenhouse) has an Unforgettable-level memory–if also a semi-Asperbergian inability to handle social intercourse–that have made him the CIA’s most brilliant analyst.  One thing he hasn’t figured out, though, is that his mother Katya (Hope Davis), father Mark (Scott Cohen) and sister Natalie (Margarita […]

  In its 4th season, the geist of GIRLS no longer seemed to be hitting the zeit the way it used to.  Ratings were down, and so was the sense of buzz.  Some of that was simply the fact that shows of the moment don’t stay that way forever, and HBO didn’t help by giving […]

  As we noted yesterday in writing about The Good Wife, churning out 22 hours per season is a tough challenge for any serialized network drama, especially one that concentrates on one central story, unlike, say the multiple plots of a show like Nashville.  The Originals would have fared better with a cable-sized 10 or […]

  HELL ON WHEELS:  Saturday 9PM on AMC In its 5 seasons on the air, HELL ON WHEELS has never achieved a sustained stability, shifting tones and narrative thrust on an almost seasonal basis as a perpetual bubble show in the ratings.  Based on tonight’s Season 5 premiere, this announced final stanza may be its […]