> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assume the occupants were socially distanced) seemed irresistible.  The premise:  a pair of onetime lovers follow through on […]

  It’s a mystery how some network messes ever get on the air, but that wasn’t the case with CBS’s EXTANT.  On the contrary, its path was completely clear.  After the network had a surprise smash hit last summer with Under the Dome, one that came with hardly any risk because of a co-financing deal […]

      Where were Jack and Sawyer?  Embracing the idea of “go big or go home,” the 8th season finale of GREY’S ANATOMY opened like the pilot for Lost, in the aftermath of the horrible crash of a plane on which several of our main characters had flown.  Shonda Rhimes is not against shaking […]

  THE MCCARTHYS:  Thursday 9:30PM on CBS  – Change the Channel! PLAYERS:  Series creator Brian Gallivan, and because up till now he’s been a junior-level TV writer (on Happy Endings and Are You There, Chelsea?), showrunner Mike Sikowitz, a much more seasoned sitcom vet whose recent credits include Rules of Engagement and Welcome To the […]

  We’re at the halfway point in Season 1 of THE NEWSROOM (so, yay!), and Aaron Sorkin celebrated by firing almost his entire writing staff.  (In a delightfully self-referential touch that TMI Magazine would appreciate, the only person he retained was his own ex-girlfriend.)  This would have more meaning if Sorkin hadn’t already taken sole […]

        This summer, TNT is airing an ambitious slate of original programming, including the final season of its signature series The Closer, the launches of spinoff Major Crimes and new procedural Perception, a reboot of Dallas, new seasons of the elaborate Steven Spielberg production Falling Skies as well as Leverage and Rizzoli […]

  The second 2-hour chunk of the newly anointed most popular scripted show in the history of basic cable, History’s HATFIELDS & MCCOYS, was much like the first episode:  a strong opening hour followed by a second that didn’t quite live up to it.  Oddly, Hour 4 even failed for many of the same reasons […]