THE WHISPERS:  Monday 10PM on ABC – If Nothing Else Is On… What would the horror genre do without its creepy children?  Whether possessed by some sinister entity, born to be supernatural embodiments of evil or simply homicidal, the mix of presumed innocence with wicked actions has always been a fundamental thriller trope, no […]

>   A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, […]

  THE GOOD FIGHT:  Episodes Release Each Sunday On CBS All Access – Binge-Worthy If THE GOOD FIGHT were actually a CBS drama, the spin-off of The Good Wife would instantly become the network’s best show–and one of the most promising anywhere on broadcast TV.  But while a slightly edited version of the opening episode […]

  VICE PRINCIPALS:  Sunday 10:30PM on HBO – In the Queue Your feelings about HBO’s new VICE PRINCIPALS are likely to be determined by your instinctive reaction to the name Danny McBride.  For a decade now, since the indie movie The Foot-Fist Way, McBride and his writing/producing/directing partner Jody Hill have been turning out variations […]

  TYRANT:  Tuesday 10PM on FX Season 1 of TYRANT was a mess.  It was rebooted and somewhat restaffed after the pilot was shot, and then continued to be changed on the fly, making for a series that seemed to shift tone and direction every few episodes.  The ratings weren’t much above terrible (although they […]

  OUTCAST:  Friday 10PM on Cinemax – If Nothing Else Is On… The surprise is that it took Cinemax so long to enter the world of TV horror.  With the notable exception of The Knick (and somewhat less notably, the network’s trademark “Skinemax” late-night soft-core programming), all of its original series have been genre pieces, […]

  Season 4 of ONCE UPON A TIME was a rather misshapen one.  The Fall cycle was a tie-in to Disney’s blockbuster Frozen (creators Edward Kitsis and Adam Horowitz swore it was their idea and not a corporate mandate), and although it didn’t bring out the best in the series, it delivered in the ratings.  […]

  Starz cut its losses quickly on FLESH AND BONE, which had been ordered as the first season of a continuing series, but was declared to be a finite miniseries before it had even started airing.  That late shift made tonight’s finale even more awkward and unsatisfying than it might have been, but Moira Walley-Beckett’s […]