RED WIDOW:  Sunday 10PM on ABC The “2-hour premiere” of RED WIDOW actually consisted of the pilot that was shot before last year’s upfronts, combined with the first regular episode (both halves written by series creator Melissa Rosenberg, with the pilot directed by Mark Pellington and episode 2 by Daniel Sackheim).  Watching the combination […]

  THE BLACKLIST:  Monday 10PM on NBC Previously… on THE BLACKLIST:  Raymond Reddington (James Spader), debonair Public Enemy #1, has turned himself in to the FBI, willing to surrender and spill everything he knows about all his criminal associates around the world, bit by bit.  His condition:  he’ll only talk to fresh-faced profiler Elizabeth Keen […]

  BLACK SAILS:  Saturday 9PM on Starz Previously… on BLACK SAILS:  In 1715, Nassau and the waters around it weren’t yet controlled by any government, and existed instead as the domain of independent pirates and merchants.  Captain Flint (Toby Stephens) of the Walrus is on the trail of his big score, the one that will […]

  TAXI BROOKLYN:  Wednesday 10PM on NBC Previously… on TAXI BROOKLYN:  Cat Sullivan (Chyler Leigh) is a grouchy (but spunky and cute) NYPD detective whose driving is so bad that she’s been demoted to walking a beat.  Luckily for her, she’s made the acquaintance of Leo Romba (Jacky Ido), a genial French ex-con and illegal […]

  CONSTANTINE:  Friday 10PM on NBC Previously… on CONSTANTINE:  John Constantine (Matt Ryan), a character who originated in DC Comics, is a demon-hunter, trying to regain his own soul (which he lost by allowing a young woman to die) by saving humans from otherworldly attacks.  He has a magic map that tells him where hellish […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]