GOLDEN BOY:  Fridays 9PM on CBS A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful […]

  HOSTAGES:  Monday 10PM on CBS Previously… on HOSTAGES:  Ellen Sanders (Toni Collette) is a surgeon scheduled to operate on the President of the United States (James Naughton).  The night before the surgery, her home is invaded by a group that threatens to murder her family–husband Brian (Tate Donovan), daughter Morgan (Quinn Shephard) and son […]

  STAR-CROSSED – Monday 8PM on CW Previously… on STAR-CROSSED:  10 years ago, a spaceship full of Atrians crash-landed outside Baton Rouge, and little earthling Emery met little Atrian Roman.  The pair bonded, but were forcibly separated (Emery thought Roman was killed), with the Atrians rounded up and sent to a ghetto-like area called the […]

  RECKLESS:  Sunday 9PM on CBS Previously… on RECKLESS:  In an ever-steamy version of Charleston, new City Attorney and general good old boy Roy Rayder (Cam Gigandet) constantly locks horns with Yankee lawyer Jamie Sawyer (Anna Wood).  One of her clients is ex-cop Lee Anne Marcus (Georgina Haig), who’s suing the department after being fired […]

  STATE OF AFFAIRS:  Monday 10PM on NBC Previously… on STATE OF AFFAIRS:  Charleston–call her Charlie–Tucker (Katherine Heigl) is the CIA analyst whose task it is to put together the President’s Daily Briefing book that gives POTUS Constance Payton (Alfre Woodard) her rundown on the immediate foreign threats affecting the US.  Charlie and the President […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]