TYRANT went all the way back to the source for its main plotline this season, giving Bassam Al-Fayeed (Adam Rayner) a saga so Moses-like that he might as well have witnessed a burning bush along the way.  Bassam was sentenced to death for treason by his brother Jamal (Ashraf Barhom), ruler of a Middle […]

  For 3 seasons, Noah Hawley’s FX anthology series FARGO displayed an uncanny ability to channel the unique sensibilities of Joel and Ethan Coen, even while telling original stories with their own idiosyncratic characters.  In Season 4, Hawley seemed to tire of exercising that muscle, and while the season was clearly intended as his nod […]

  As bad as it is for a network when it launches a new series and no one shows up, in a way it has to be worse when the series premiere has a huge start–and then viewers drop away in droves once they’ve given it a try.  The first kind of failure may be […]

  THE WALKING DEAD is in danger of becoming TV’s version of The Phantom Menace: a gigantic hit that no one really likes.  The ratings, while still massive, were significantly down in Season 7, which premiered with the instantly-infamous episode that introduced villain Negan (Jeffrey Dean Morgan), who promptly clubbed two cast regulars to death […]

  KILLJOYS is, along with Dark Matter, one of the ultra-cheap scripted pieces that Syfy runs on Friday nights.  (Defiance, which airs with them, is a somewhat more ambitious enterprise.)  The grubby aesthetics of the two Canadian imports are so similar that it’s no surprise there’s been talk about a crossover between their universes–assuming both are […]

  In recent years, Cameron Crowe has had trouble keeping his scripts coherent even when they only have to last 2 hours.  It probably shouldn’t have come as a surprise that giving him 10 hours to play with was asking for trouble, and much of his Showtime series ROADIES has been unfocused and self-indulgent, a […]

  In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare.  The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the network’s current Sunday line-up–but as evidenced by its surprise writing Emmy a few weeks ago, its quality is recognized. The Season 2 finale, written […]

  It’s been a heavy week for epochal TV.  On Sunday, Mad Men sold us one last Coke, and tonight marked the end of David Letterman’s reign, one that’s lasted into a fourth decade on the air and has had an almost incalculable influence not just on late-night TV or even TV in general, but […]