SCREAM QUEENS was 13 consecutive hours of shrill campiness, and it was only fans of shrill camp who turned out for it–and they were far lower in number than FOX and the Ryan Murphy brain-trust had hoped.  As the MTV reboot of Scream had previously demonstrated, slasher movies don’t lend themselves to being extended […]

  Hardly anyone has been watching KIDDING, which makes Showtime’s decision to renew the show for a second season a sign of their commitment either to indie movie sensibility or to being in business with Jim Carrey.  In either case, the renewal gives the series a year to decide whether to work past its seemingly […]

  The ratings dipped badly for FRANKLIN & BASH in its 4th season, and if it stays on TNT’s air, it will likely be because the network has too many other problems (Dallas is already gone, Falling Skies is entering its final season, and neither Murder In the First nor Legends launched well) to cancel […]

  ABC’s AMERICAN CRIME is Serious and Important, but how good is it?  John Ridley’s series takes on the biggest topics–all of them, it seems–from race to class to sexual orientation to school violence and the loss of privacy in the internet age, and not even Oscar-bait films wear a mantle of unrelieved misery quite […]

  Although it’s part of the CW/Greg Berlanti DC Comics assembly line, BLACK LIGHTNING, created by Salim Akil, has been strikingly different from its comrades.  So far, it hasn’t noticeably been part of the shared universe formed by Arrow, The Flash, Supergirl and Legends of Tomorrow, aside from its invocation of “meta-humans” to describe those […]

  THE WHISPERS never made much sense, and that went triple for tonight’s finale.  On a macro level, it was probably unwise to end the season with a cliffhanger, since reports are that although the ratings were no worse than middling, ABC had let the cast options lapse when it postponed the show to summer, […]

  Professional sports are so central to American culture, and so particularly critical to the television business, that it’s surprising the area had been largely ignored as the locale of a series until USA’s NECESSARY ROUGHNESS debuted.  Of course, since Roughness is a USA show, it’s mostly been content with superficial light drama, without any […]

  LOW WINTER SUN just kept going around in circles.  The most characteristic hour of its season may have been its penultimate one, which aired as the first half of a 2-hour season (very possibly series) finale.  (Hour 1 was written by Co-Executive Producer Rolin Jones and directed by Anthony Hemingway; the final hour was […]