One of NBC’s many puzzling decisions this year was the choice to hand over its most important timeslot for launching dramas, the post-The Voice hour on Mondays, to the merely serviceable summer medical soap THE NIGHT SHIFT.  The series had done well enough against weak off-season competition, but there was nothing to suggest that it […]

  Unwise bargains were a staple of ONCE UPON A TIME from the very beginning, so it was sadly appropriate that series creators Edward Kitsis and Adam Horowitz entered into one themselves in order to convince ABC to order a 7th season for the show.  In return, the network demanded a slashed license fee, which […]

  Time-travel tales are everywhere on TV these days–Timeless, Making History, Time After Time  and Frequency will join Legends of Tomorrow next season, and even Game of Thrones dabbled in the genre this year.  But the works that take themselves seriously are fiendishly difficult to pull off, apt to fall into traps of timelines that coexist […]

  Like the famous tortoise, PARKS & RECREATION has hung in there long enough to become the highest-rated (all-but-certainly) returning sitcom on NBC’s air.  That is, admittedly, a low bar, but it’s still a triumph for a show that’s been at risk of cancellation more or less since it came on the air.  Parks & […]

  The Season 3 finale of BOARDWALK EMPIRE, like the season itself, was an exercise in patience and a mix of satisfaction and anti-climax.   Written by series creator Terence Winter and Executive Producer Howard Korder, and directed by house director Tim Van Patten, the first half of the episode had antagonists Nucky Thompson (Steve Buscemi) […]

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an increased sense of character and some understated humor.  Tonight’s season finale, written by series creators Hunt Baldwin and John Coveny (based on a series of […]

  Did we really need THE FLASH to go dark?  What had been the peppiest of CW’s DC/Berlanti-verse shows spent its 3rd season marked by existential angst, 22 episodes of Barry Allen’s (Grant Gustin) penance for having created “Flashpoint,” a parallel timeline where his mother and father survived.  Even after Barry reversed reality more or […]

  It’s a little churlish, in the face of tonight’s mostly splendid Season 4 finale of THE GOOD WIFE, to point out that for the most part, the rest of the season didn’t quite live up to its high level of quality.  We will, unavoidably, get to that.  But let’s start by talking about what a […]