Many remarkable things have happened in the world of television over the past few years, but none may be odder than the fact that a story about the 16th century Mary, Queen of Scots ran on network TV for four seasons.  Even more, while REIGN initially squeezed into the CW demographic by concentrating on […]

  After 5 seasons of declining success, if ONCE UPON A TIME were less synergistic for Disney/ABC (the movie studio used tonight’s 2-hour season premiere to showcase summer spectacles Alice Through The Looking Glass and The BFG), and if the rest of ABC’s non-Shonda Rhimes dramas were less mired in low ratings, series creators Edward […]

  The fourth (and as it turns out penultimate) season of AMC’s HELL ON WHEELS was its most conventional and choppily focused.  Under showrunner John Wirth (the show’s 3rd in that post), the neo-western has abandoned its original concept of post-Civil War protagonist Cullen Bohannan (Anson Mount) as a man of murderous vengeance and turned […]

  How on earth is NBC going to bring back AQUARIUS next season?  In the history of broadcast television, it may well be the lowest-rated series ever renewed by a major network, with viewership so abysmal that the show couldn’t sustain a normal summer run and had to be pushed to the netherworld of Saturdays.  […]

  Great TV dramas tend to arrive on our screens fully-formed.  (The same isn’t true of comedies, which sometimes take an entire season to find their voices.)  By the end of the first hours of The Sopranos, Mad Men, Deadwood, The West Wing, The Wire, Breaking Bad, The Shield, Lost–it was clear that we were […]

  The fifth season of THE VAMPIRE DIARIES was great fun as usual, although also a bit sloppier than the norm.  That could well be the result of series mastermind Julie Plec having to spread her time between Diaries, the new Originals, and whatever her duties were on The Tomorrow People, of which she was […]

  It’s been fascinating to watch AMERICAN GODS play out side-by-side with David Lynch’s rebooted Twin Peaks on the past several Sunday nights, because Bryan Fuller (who created the TV version of Gods with Michael Green from Neil Gaiman’s novel) may be this generation’s most overtly Lynchian TV artist.  Fuller and Lynch are both besotted […]

  Did we really need THE FLASH to go dark?  What had been the peppiest of CW’s DC/Berlanti-verse shows spent its 3rd season marked by existential angst, 22 episodes of Barry Allen’s (Grant Gustin) penance for having created “Flashpoint,” a parallel timeline where his mother and father survived.  Even after Barry reversed reality more or […]