Tonight’s Season 2 finale of SLEEPY HOLLOW conspicuously concluded in a way that could also serve as a series finale, a distinct possibility because this underwhelming season has left the series with ratings down 40% from last year’s heyday (and less than half of its original hit premiere).  The finale turned out to be […]

  One of NBC’s many puzzling decisions this year was the choice to hand over its most important timeslot for launching dramas, the post-The Voice hour on Mondays, to the merely serviceable summer medical soap THE NIGHT SHIFT.  The series had done well enough against weak off-season competition, but there was nothing to suggest that it […]

  Although it regrouped somewhat in its last few episodes, Season 7 of THE VAMPIRE DIARIES was mostly an awkward and ungainly one.  Some readjustment was foreseeable after leading lady Nina Dobrev decided not to return, but by the end of Season 6, series co-creator Julie Plec and showrunner Caroline Dries seemed to have a […]

  The fourth and final season of Ray McKinnon’s Sundance series RECTIFY, perhaps the most universally acclaimed television program of the post-Sopranos era, was its most conventional.  There were few surreal stretches of memory and fantasy, the plot for the most part moved forward straightforwardly, and there were even bits of humor along the way, […]

  Season 4 of THE ORIGINALS had the chance to emerge from the shadow of its departing parent The Vampire Diaries–there was even a 5-year time jump to distance the two shows–but it didn’t really happen.  For most of its length, the season was a variation of the same pattern that Originals has followed since […]

  The first season of Freeform’s Marvel series CLOAK & DAGGER was from the measured pace school of serialized TV drama.  Joe Pokaski’s saga was essentially 10 hours of origin story, tracing Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph) from teen outcasts to budding superheroes, with only scattered uses of their powers until […]

  NBC’s marathon 90-minute festival of new COMMUNITY episodes tonight (interrupted by the 30 Rock season finale at 8:30) was less an expression of love from the network than a who-cares approach to the night, scheduled that way  because The Office and Parks & Recreation aired their season finales last week, and Community, kept off […]

> The second-season finale of Showtime’s SHAMELESS was unusually low-key for the rambunctious series, the result of having to deal with the aftermath of last week’s Thanksgiving dinner, where bipolar mom Monica (Chloe Webb) very graphically attempted suicide, and of Karen (Laura Wiggins) giving birth to a baby who turned out to have Downs Syndrome.  […]