> HBO can afford to keep little-watched shows like In Treatment and Treme around, because they’re not selling advertising–they’re selling a brand.  People who will only watch True Blood and Entourage feel better about being subscribers when they know they’ve got access to excellence at other hours too.  TNT, though, needs eyeballs that sponsors will […]

  The title of tonight’s season finale of DALLAS was “Revelations,” but really it had only one reveal worthy of a SPOILER ALERT, and even that one was increasingly guessable as the hour went on, for anyone attentive to the opening cast credits. Yes, it turned out, implausibly but in keeping with the demands of […]

  Some smart shifts in emphasis have left HART OF DIXIE in fine shape as it reaches the midpoint of its second season, changes that were evident in tonight’s midseason finale, written by series creator Leila Gerstein and directed by Patrick Norris. Season 1 of Hart was essentially Gilmore Girls meets “Southern Exposure,” the travails […]

  COUGAR TOWN survived its trip from ABC to the wilds of cable, as well as the day-to-day departure of series co-creator and original showrunner Bill Lawrence, with its charms mostly intact, even if the show is starting to feel a bit predictable around the edges.  While not a breakout performer for TBS (it didn’t […]

  I get it:  teen vampires, ick.  THE VAMPIRE DIARIES is never going to win a major Emmy–it’s never even going to win a Golden Globe.  But there isn’t a long-running show on television that hums along as smoothly, and this fourth season was no exception.  Under the guiding hand of co-creator/showrunner Julie Plec, Vampire […]

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall reveals a few small surprises–Detective Olivia Benson (Mariska Hargitay) has acquired a boyfriend–but for the most part, SVU is very […]

  Even among procedurals, ABC’s Canadian summer series MOTIVE was a bare-bones example of the genre–it was virtually abstract.  The show had a single gimmick:  at the start of each episode, the killer and victim were identified, so in theory the only mystery was why this person killed that one.  (Sometimes, as in the first […]

  SLEEPY HOLLOW has grown into one of the (few) pleasant surprises of the fall network season, a keenly judged mix of supernatural folderol, increasingly well-drawn characters and light time-travel comedy.  Enough of a hit to already have been renewed for next season, the show’s first fall term culminated in a barnburner of a season […]