Posts Tagged ‘2013-14 TV season’
 

 

THE SKED Season Premiere Review: “White Collar”

  WHITE COLLAR:  Thursday 9PM on USA Season 5 of WHITE COLLAR couldn’t be in more of a rush to get the hell away from its Season 4 cliffhanger.  When we left intrepid FBI agent Peter Burke (Tim DeKay), he was in pr...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Silicon Valley”

  SILICON VALLEY:  Sunday 10PM on HBO – DVR Alert There’s no algorithm (yet) to predict compatibility between TV series, so we don’t know yet how SILICON VALLEY will fare in the ratings, or for that matt...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “2 Broke Girls”

  2 BROKE GIRLS is a serviceable sitcom for CBS, and in its 3rd season, it knows fairly well how to do what it does.  The show hangs on the comic charisma of Kat Dennings as wise-ass, tough-but-vulnerable waitress and asp...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “The Mindy Project”

  After two full seasons, it’s become clear that Mindy Kaling’s THE MINDY PROJECT may never be a “well-made show.”  Characters pop in and out–it was recently announced that receptionist Betsy...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Sleepy Hollow”

  SLEEPY HOLLOW:  Monday 9PM on FOX Previously… on SLEEPY HOLLOW:  Remember Ichabod Crane, from junior high reading lists?  Well, he’s back.  Really back, as in returned from the semi-dead state he’d ...
by Mitch Salem
 

 
 

THE SKED Series Finale Review: “Suburgatory”

  Tonight’s series finale of SUBURGATORY provided as clear a picture as any of how much the series had lost its way in the course of its three season run.  Originally, Emily Kapnek’s show had a very clear voic...
by Mitch Salem
 

 

 

THE SKED 2013 UPFRONTS: CBS Pick-Ups

  We don’t know yet what CBS’s fall schedule will look like, but by its standards the network is being aggressive with its pick-ups, with 4 new comedies and 2 dramas so far.  Here’s a thumbnail of each: ...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Justified”

  JUSTIFIED:  Tuesday 10PM on FX JUSTIFIED is pure dark pleasure to watch.  Other cable series are more thematically or structurally ambitious (which is why Justified is unfairly ignored at awards time), but Graham Yost...
by Mitch Salem
 

 

 

THE SKED Series Finale Review: “Once Upon A Time In Wonderland”

  Would ONCE UPON A TIME IN WONDERLAND have fared better if scheduled as originally planned, in the role of Sunday 8PM filler between the two half-seasons of its parent Once Upon A Time, instead of being sent to fend for i...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “The Crazy Ones”

  THE CRAZY ONES was conspicuously missing from CBS’s long list of early 2014-15 series renewals, and of course it’s faint praise to say that the show isn’t as bad as that sounds.  It’s the case, t...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “Orphan Black”

  ORPHAN BLACK:  Saturday 9PM on BBCAmerica In an era of non-stop TV drama overhype, last season’s arrival of ORPHAN BLACK was that extreme rarity:  the real thing.  Even its network didn’t seem to know init...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “American Horror Story – Coven”

  AMERICAN HORROR STORY – COVEN:  Wednesday 10PM on FX Caged and tortured slaves, mid-coitus spontaneous brain aneurisms and gang rape aside, the COVEN season of AMERICAN HORROR STORY was relatively restrained in it...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Masters of Sex”

  MASTERS OF SEX:  Sunday 10PM on Showtime Previously… on MASTERS OF SEX:  In 1956, brilliant but arrogant and socially awkward fertility expert William Masters (Michael Sheen) prepares to start his trailblazing re...
by Mitch Salem
 

 
 

THE SKED Midseason Premiere Review: “Unforgettable”

  UNFORGETTABLE:  Friday 8PM on CBS UNFORGETTABLE, the CBS procedural whose title practically begs to be a punchline, is back.  Although “back” isn’t exactly the word:  Unforgettable was famously cance...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “The 100″”

  Season 1 of CW’s THE 100 worked better than logic suggested it should, considering that it was basically a thrift shop of plotlines and tropes from other, more ambitious fantasies, some aimed at teens (The Hunger G...
by Mitch Salem