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INSIDIOUS: What’s That Noise?

> Worth a ticket. The director and writer of Saw, James Wan and Leigh Whannell, combine again to bring us–hey, where are you going?  No, seriously:  don’t run away.  Leaving aside that Saw is rather u...
by Mitch Salem
 
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LIMITED RELEASE: “Beautiful Boy”

> Watch It At Home:  Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be.  The premise is certainly arresting:  Shawn Ku’s first film (written with Michael Arm...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Liberal Arts”

> Josh Radnor’s writing/directing debut happythankyoumoreplease, which played Sundance a couple of years ago, was a promising, entertaining NY-set romantic comedy-drama that hailed from the Woody Allen division of indie f...
by Mitch Salem
 
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THE BEAVER: Chew On This

> Watch It At Home:  Gibson Delivers, The Movie Wobbles As you may have heard, the new comedy-drama THE BEAVER stars a guy named Mel Gibson, who used to be a big-time movie star.  (It’s actually a surprise to re...
by Mitch Salem
 
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SOURCE CODE: If At First You Don’t Succeed…

> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result.  But that diagnosis doesn’t allow for this:  a man (Jake Gyllenhaal) wakes up an...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Red Lights”

> Or if the title were a Jeopardy answer, the question would be: what should writer/director Rodrigo Cortes have paid attention to, before he typed “The End” on his script Red Lights wouldn’t have been a festi...
by Mitch Salem
 
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