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SCRE4M: Meta Boo!

> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the ...
by Mitch Salem
 
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LIMITED RELEASES: “Queen to Play,” “Ceremony” and “Meet Monica Velour”

> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie.  We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wi...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Save the Date”

> Michael Mohan’s SAVE THE DATE, which premiered this afternoon at Sundance, doesn’t earn its points from an original premise. It concerns 2 divergent sisters, Sarah (Lizzy Caplan) and Beth (Alison Brie), but mostly...
by Mitch Salem
 
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THE CONSPIRATOR: Court In Session

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downrig...
by Mitch Salem
 
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RIO: Cartoon Carnival

> Worth A Ticket; Birds Fly High Enough for Kids, and Adults Too. Click For More Reviews: THOR    PIRATES OF THE CARIBBEAN 4    MIDNIGHT IN PARIS Animation has, over the past decade, passed beyond ...
by Mitch Salem
 
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LIMITED RELEASE: “Beginners”

> Worth a Ticket:  A funny, moving story about navigating the twists of life.   Mike Mills’ BEGINNERS is about the fumble for love, the wrong turns and mistakes that can delay–although luckily not always p...
by Mitch Salem
 
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HOP: Easter Egg Over Easy

> Watch It At Home People complain that Hollywood doesn’t take risks, but Universal went and hired the director of Alvin and the Chipmunks to make a movie about a musical-minded, free-spirit digitally animated character w...
by Mitch Salem
 
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THE BIJOU: “Submarine”

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto...
by Mitch Salem
 
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WATER FOR ELEPHANTS: Not So Big Top

> Watch It At Home; A circus story that’s not the greatest show in the multiplex. Sometimes even a small moment in a movie can typify how it’s gone wrong.  There’s a scene fairly early in WATER FOR ELEPHA...
by Mitch Salem
 
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“MIDNIGHT IN PARIS” : Ah, Paree!

> Worth A Ticket; A tasty croissant from Woody Allen. Woody Allen interrupts the opening credits of his new comedy MIDNIGHT IN PARIS to insert a montage of lovely Paris locations.  I mention this because after more than 40...
by Mitch Salem
 
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HANNA: Children’s Hour

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conce...
by Mitch Salem
 
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“THE HANGOVER PART II” – Hair Of the Dog

> Worth a Ticket; It Wasn’t Broke, They Didn’t Fix It In Hollywood, the word “sequel” is often code for “remake.”  This isn’t news:  the James Bond series has been going on fo...
by Mitch Salem
 
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YOUR HIGHNESS: Ye Olde Disaster

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a h...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Lay the Favorite”

> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a m...
by Mitch Salem
 
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FAST FIVE: Boxoffice Express

> Worth a Ticket:  Diesel and The Rock keep their pedals to the metal. If you want to feel truly American, try reflecting on the new FAST FIVE while wall-to-wall coverage of the British royal wedding is airing on the telev...
by Mitch Salem
 
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