Posts Tagged ‘behind the boxoffice’
 

 

BEHIND THE FRIDAY BOXOFFICE – 3/15/13

  OPENINGS:  No one expected THE CALL (TriStar/Sony) or THE INCREDIBLE BURT WONDERSTONE (Warners) to win this weekend.  Call, though, is overperforming, and by Sunday it should be in a position to recoup its $15M (plus m...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 10/20/12

  Holdovers saved the boxoffice this weekend. OPENINGS:  Although the studio flew to announce that a 5th installment will be opening a year from now, the weak start for PARANORMAL ACTIVITY 4 (Paramount) is a signpost to t...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOXOFFICE – 1/18/13

  The Martin Luther King Day holiday tends to be a day off more for schoolchildren than for adult employees, meaning that at the boxoffice, it benefits family movies–of which there’s a distinct shortage right n...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 6/14/13

  OPENINGS:  Is it a danger sign or just one of overexuberance that the Friday estimates for MAN OF STEEL (Warners) diminished during the day, slipping from over $50M to the final estimate of $44.1M?  We’ll know a ...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOXOFFICE – 11/30/12

  The bloodshed in this weekend’s new arrivals extended to the movies themselves. OPENINGS:  KILLING THEM SOFTLY (Weinstein), with a $2.5M Friday, may become Brad Pitt’s lowest opening live-action wide releas...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 4/5/13

  OPENINGS:  Saturday will tell the tale on EVIL DEAD (TriStar/FSony/FilmDistrict).  Its $11.9M Friday was stronger than the $10.1M/10.2M starts for The Texas Chainsaw Massacre 3D and Mama earlier this year (although it...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 12/9/12

  There was no miraculous Saturday save for the weekend’s one pitiful arrival. OPENINGS:  PLAYING FOR KEEPS (FilmDistrict) rose only 11% from Friday to Saturday, and since it’s claiming one of the lower Sunday...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 2/8/13

  Melissa McCarthy is a movie star. OPENINGS:  She co-stars with Jason Bateman (who is also a producer of the movie), but there’s no doubt that IDENTITY THIEF (Universal) is being sold on McCarthy’s back, and ...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 10/28/12

  The biggest boxoffice story of the weekend happened overseas:  in only 25 international markets, SKYFALL (Sony) the new James Bond, has opened at a scorching, record-setting pace, with a reported $77.7M in 3 days (inclu...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE: 5/31/13

  There’s so much product in the marketplace right now that overall numbers for the summer movie season seem fairly robust–but looked at title by title, we see two blockbusters (Iron Man 3 and Fast & Furiou...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 11/4/12

  OPENINGS:  Both of the weekend’s big arrivals found their audiences.  WRECK-IT RALPH (Disney) had to settle for $49.1M after Saturday’s 58% bump–not that huge for an animated title–but if those ...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 12/21/12

  After a strong start with Skyfall and Breaking Dawn Part 2, the holiday boxoffice seems to be at risk of languishing. OPENINGS:  The thing about the Christmas/New Year’s week boxoffice multiple is that it’...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE: 10/7/12

  This is why studios love franchises. OPENINGS:  TAKEN 2 (20th) almost doubled its closest competition (even though that $50M weekend estimate, like all round number estimates, may come down a bit when final numbers are ...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 1/4/13

  They deleted Massacre from its title, but it’s still mowing down the competition. OPENINGS:  Why does Hollywood make ultraviolent movies?  Because they sell tickets.  TEXAS CHAINSAW (Lionsgate) is overperforming...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOXOFFICE – 3/1/13

  OPENINGS:  Here’s an idea of how disastrously JACK THE GIANT SLAYER (Warners) is bombing.  DreamWorks recently had to take an $87M loss on its Rise of the Guardians, which cost $145M (plus marketing costs) and gr...
by Mitch Salem