Posts Tagged ‘boxoffice footnotes’
 

 

THE BIJOU: Boxoffice Footnotes 7/31/11

> Well, there’s something you don’t see every day:  2 studios both content to forego bragging rights for the Sunday weekend estimates and wait for actual numbers on Monday, when public attention is lower. (Note...
by Mitch Salem
 

 
 

THE BIJOU: Boxoffice Footnotes 9/17/11

> For all the wildly unexpected success of THE LION KING, Disney has limited boxoffice upside, because the new Blu-Ray hits the streets on October 4, and that’s not likely to be a date that can be changed. The Friday numb...
by Mitch Salem
 

 

 

THE BIJOU: Weekend Boxoffice Footnotes 11/6/11

> The tiny 3% drop in PUSS IN BOOTS‘ second weekend is truly remarkable, and could well lead to studios adopting DreamWorks’ strategy in the future of opening an animated movie on Halloween weekend and then having a...
by Mitch Salem
 

 
 

THE BIJOU: Boxoffice Footnotes 8/6/11

> RISE OF THE PLANET OF THE APES has a slew of positives going for it commercially:  the reportedly fairly low $93M production cost, the month of August ahead with its limited competition, strong support from an older audi...
by Mitch Salem
 

 

 

THE BIJOU: Boxoffice Footnotes 9/23/11

> MONEYBALL‘s debut looks to be in line with the opening weekend of The Social Network ($22.4M) just about a year ago.  That movie rode the Oscar race to a $97M gross.  Moneyball is more likable but less incisiv...
by Mitch Salem
 

 
 

THE BIJOU: Friday Boxoffice Footnotes 11/11/11

> Whether or not IMMORTALS holds together at the boxoffice after its opening few days, the impressive launch is good news for Relativity, which is trying to prove it can survive as a standalone distributor of Hollywood-level mo...
by Mitch Salem
 

 

 

THE BIJOU: Boxoffice Footnotes 8/7/11

> RISE OF THE PLANET OF THE APES is off to a great start internationally as well, with $23M for the weekend in just 25 territories (only 4 of which–Australia, Spain, Russia and Taiwan–are major boxoffice centers).&n...
by Mitch Salem
 

 
 

THE BIJOU: Boxoffice Footnotes 9/25/11

> No doubt the enormous success of THE LION KING hasn’t been lost on anyone at Disney, and we can expect to see 3D reissues of more classic animation over the next few years, leading into yet more homevideo editions. If n...
by Mitch Salem
 

 

 

THE BIJOU WEEKEND BOXOFFICE FOOTNOTES 11/13/11

> IMMORTALS is claiming the same drop for Sunday as it had on Saturday, so that total may come down in actuals.  Even so, as long as the final amount is over $30M (which it certainly should be), that’s a win for Rela...
by Mitch Salem
 

 
 

THE BIJOU BOX OFFICE: Footnotes 8/13/11

> Let’s take a look at just how remarkably THE HELP is performing so far.   The most obvious points of comparison are the literary-sourced, female-skewing hits of the last 2 Augusts:  Julie & Julia in 2...
by Mitch Salem
 

 

 

THE BIJOU: Friday Boxoffice Footnotes 9/30/11

> THE SOCIAL NETWORK fell only 31% in its second weekend, so MONEYBALL, which is headed for a fall closer to 40% (after a lower opening), continues not to be in Network‘s league financially.  The timing of a movie li...
by Mitch Salem
 

 
 

THE BIJOU BOX OFFICE: Footnotes 8/14/11

> Now that THE HELP has opened about as well as Dreamworks/Disney could have hoped, the next goal is a 2d weekend decline of around 40%.  That would match the hold of Julie & Julia, and would make a $100M gross for Hel...
by Mitch Salem
 

 

 

THE BIJOU: Weekend Boxoffice Footnotes 10/2/11

> Sony is taking an interesting strategy this fall:  with MONEYBALL in release, THE IDES OF MARCH opening on Friday and ANONYMOUS coming on October 28, they’re cornering the market on upscale, wide-release drama unti...
by Mitch Salem
 

 
 

THE BIJOU BOXOFFICE: Footnotes 8/19/11

> THE HELP will be the year’s first “serious” movie to gross over $100M.  September is traditionally one of the softest months on the movie release calendar, and 2011 is no exception:  although there...
by Mitch Salem
 

 

 

THE BIJOU: Friday Boxoffice Footnotes 10/7/11

> The irony of the new DreamWorks/Disney is that thus far, their big “event” spectaculars have done only modest business–I Am Number Four opened with $19.5M and ended up with $55M domestically, and REAL STEEL ...
by Mitch Salem