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THE BIJOU: Boxoffice Footnotes – 7/31/11

> Well, there’s something you don’t see every day:  2 studios both content to forego bragging rights for the Sunday weekend estimates and wait for actual numbers on Monday, when public attention is lower. (Note...
by Mitch Salem
 
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THE BIJOU: Boxoffice Footnotes – 9/25/11

> No doubt the enormous success of THE LION KING hasn’t been lost on anyone at Disney, and we can expect to see 3D reissues of more classic animation over the next few years, leading into yet more homevideo editions. If n...
by Mitch Salem
 
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THE BIJOU: Boxoffice Footnotes – 10/21/11

> PARANORMAL ACTIVITY 3 continues Paramount’s license to print money–it’ll soon be in profit even with worldwide marketing costs calculated in.  Yesterday will probably prove to be by far the biggest day ...
by Mitch Salem
 
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THE BIJOU: Friday Boxoffice Footnotes – 11/11/11

> Whether or not IMMORTALS holds together at the boxoffice after its opening few days, the impressive launch is good news for Relativity, which is trying to prove it can survive as a standalone distributor of Hollywood-level mo...
by Mitch Salem
 
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THE BIJOU: Boxoffice Footnotes – 9/2/11

> Apart from the usual hosannas to THE HELP’s remarkable staying power, there’s not much to be said about this weekend’s wide releases.  APOLLO 18 and SHARK NIGHT are both flops that will be hard-pressed ...
by Mitch Salem
 
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THE BIJOU: Friday Boxoffice Footnotes – 11/4/11

> TOWER HEIST hurts Universal on several levels.  It’s a big-budget movie (with marketing costs included, the total is likely $200M) in a genre that doesn’t necessarily travel well, and it was the studio’...
by Mitch Salem
 
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THE BIJOU BOX OFFICE: Footnotes – 8/13/11

> Let’s take a look at just how remarkably THE HELP is performing so far.   The most obvious points of comparison are the literary-sourced, female-skewing hits of the last 2 Augusts:  Julie & Julia in 2...
by Mitch Salem
 
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THE BIJOU BOXOFFICE: Footnotes 8/27/11 – Be Afraid of the Boxoffice

> The full extent of theatre closings and other Hurricane Irene-related events isn’t yet known, so projections may be high at this point. That being said, this was never going to be a good weekend at the boxoffice:  ...
by Mitch Salem
 
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THE BIJOU WEEKEND BOXOFFICE FOOTNOTES – 11/13/11

> IMMORTALS is claiming the same drop for Sunday as it had on Saturday, so that total may come down in actuals.  Even so, as long as the final amount is over $30M (which it certainly should be), that’s a win for Rela...
by Mitch Salem
 
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THE BIJOU BOXOFFICE: Footnotes – 8/21/11

> There’s not much to add about the weekend grosses that hasn’t been said (see Mitch Metcalf’s round-up report here), so let’s take a look at who, apart from the studios themselves, did and didn’t ...
by Mitch Salem
 
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THE BIJOU: Friday Boxoffice Footnotes – 9/30/11

> THE SOCIAL NETWORK fell only 31% in its second weekend, so MONEYBALL, which is headed for a fall closer to 40% (after a lower opening), continues not to be in Network‘s league financially.  The timing of a movie li...
by Mitch Salem
 
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THE BIJOU BOXOFFICE FOOTNOTES – 8/28/11

> The probable effect of Irene is most evident in the weekend’s limited releases, where loss of NY business would have been most damaging.  HIGHER GROUND, seemingly headed for a per-theatre average of $12K, could onl...
by Mitch Salem
 
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THE BIJOU: Boxoffice Footnotes – 8/6/11

> RISE OF THE PLANET OF THE APES has a slew of positives going for it commercially:  the reportedly fairly low $93M production cost, the month of August ahead with its limited competition, strong support from an older audi...
by Mitch Salem
 
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THE BIJOU BOXOFFICE: Footnotes – 8/19/11

> THE HELP will be the year’s first “serious” movie to gross over $100M.  September is traditionally one of the softest months on the movie release calendar, and 2011 is no exception:  although there...
by Mitch Salem
 
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THE BIJOU: Friday Boxoffice Footnotes – 10/14/11

> FOOTLOOSE has the advantage of facing no new direct competition on Friday.  That, along with what should be fairly good word of mouth, could give it some legs in the marketplace.  THE THING, on the other hand, had a...
by Mitch Salem
 
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