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THE SKED PREMIERE REVIEW: “The Firm”

> THE FIRM:  Thursdays 10PM on NBC – Change the Channel THE FIRM isn’t NBC’s #1 priority for midseason–that would clearly be Smash.  (In other news, there’s no truth to the rumor that NBC...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 
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THE SKED MIDSEASON (?) FINALE REVIEW: “The LA Complex”

    Even by CW standards–and this is a network where shows that could barely hold a slot in basic cable get renewed–THE LA COMPLEX is a clear flop, watched by about  2/10 of 1% of the 18-49 year old audie...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Glee”

  The remarkable thing is that GLEE was ever a giant mainstream hit in the first place.  When the books are closed on Kevin Reilly’s reign at FOX, great credit will be due to him for daring to go all in on such a st...
by Mitch Salem
 
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THE SKED SERIES FINALE REVIEW: “In Plain Sight”

Although IN PLAIN SIGHT was never one of USA’s breakout hits or signature shows like Monk or Burn Notice, it gave the network 5 sturdy seasons, holding down slots on 3 different nights in the course of its run, and tonigh...
by Mitch Salem
 
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THE BIJOU REVIEW: “50/50”

> 50/50:  Worth A Ticket –  A Genuinely Feel-Good Cancer Comedy With The Big C renewed for its third season on Showtime, the concept of a comedy getting laughs from the experiences of a cancer patient is no long...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “The Vow”

    THE VOW:  Not Even For Free – Forget About It   This year has brought us a far-fetched, but ultimately moving and deeply romantic story about a couple who have finally gotten together and married after...
by Mitch Salem
 
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SHOWBUZZDAILY NY THEATRE JOURNAL: “Venus In Fur”

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicl...
by Mitch Salem
 
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THE SKED: CBS Doubles Down on “Vegas,” Finds Back Order “Elementary”

  Neither VEGAS nor ELEMENTARY is setting television screens on fire with their 18-49 ratings so far. Vegas scored a 2.0 in its last airing that merely tied the perpetually bubbled Parenthood, and Elementary hit a somewha...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Trouble With the Curve”

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball ...
by Mitch Salem
 
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THE SKED: “Smash” Makes It To Act 2

> SMASH, the ambitious musical drama that was intended from the start to be NBC’s new signature series (even if for some of us, it’s become a bit smudged) has officially been renewed for a 2d season. This was pretty...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Margin Call”

    MARGIN CALL:  Worth A Ticket – The Real Sequel to”Wall Street”   MARGIN CALL is smarter and more gripping than Moneyball and The Ides of March combined–and those are two smart, grippi...
by Mitch Salem
 
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THE SKED PILOT REPORT: PREMIERING TONIGHT – CBS’s “Unforgettable”

>Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sho...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “Awake”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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