Posts Tagged ‘drama’
 

 

THE SKED PILOT REPORT: PREMIERING TONIGHT – ABC’S “Charlie’s Angels”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Smash”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Ringer”

> RINGER could have been a hell of a movie. It happens sometimes with TV shows.  Remember Daybreak, featuring Taye Diggs as a cop who had to relive the same day over and over again, Groundhog Day style, until he could solv...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Touchy Feely”

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday ...
by Mitch Salem
 

 
 

THE SKED’S MIDSEASON RETURN: “Pan Am”

> Although nothing is likely to be official until May, the odds are that PAN AM is heading into its final landing.  The series received a short back order from ABC, and will be off the air after February, when Good Christi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Nurse Jackie”

After 3 seasons of telling more or less the same story, Season 4 of Showtime’s NURSE JACKIE took a leap that revitalized the show.  Jackie Peyton (Edie Falco), having successfully concealed her drug addiction, her adulte...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Magic Mike”

  MAGIC MIKE:  Worth A Ticket – Soderbergh Again Earns His Crumpled Dollars   Although he hasn’t appeared in any of the year’s giant action blockbusters (GI Joe 2, probably not that giant anyway, w...
by Mitch Salem
 

 
 

THE SKED: “Dallas” Drills For Ratings

TNT’s much-hyped reboot of the venerable soap DALLAS got off to a good start, with a total viewership of 6.9 million people.  That’s the biggest launch of the year on basic cable, although it’s not even a rec...
by Mitch Salem
 

 

 

THE SKED REVIEW: “Hatfields & McCoys” Episode 1

    Even as the scripted drama business on the broadcast networks subsides into increasing irrelevance, new players arise who want to take part.  Dramas may not be cost-effective in the way that they once were, but t...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Touch”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED’S BUSTED PILOT THEATRE: “Metro”

> See A Word About Busted Pilots The word was that Stephen Gaghan’s pilot METRO was in serious consideration for NBC’s schedule until the very end (conventional wisdom has it that the final choice came down to Metro...
by Mitch Salem
 

 
 

PREMIERING TONIGHT–THE SKED’S FALL PILOT REPORT: CBS’s “Made In Jersey”

  MADE IN JERSEY:  Friday 9PM on CBS – Change the Channel CBS is the network of The Good Wife, but don’t get your hopes up for its new legal drama MADE IN JERSEY.  This one is a thin example of why the words ...
by Mitch Salem
 

 

 

THE SKED RIP WATCH: “Men Of A Certain Age”

> HBO can afford to keep little-watched shows like In Treatment and Treme around, because they’re not selling advertising–they’re selling a brand.  People who will only watch True Blood and Entourage feel...
by Mitch Salem