Posts Tagged ‘drama’
 

 

LIMITED RELEASE: “Beginners”

> Worth a Ticket:  A funny, moving story about navigating the twists of life.   Mike Mills’ BEGINNERS is about the fumble for love, the wrong turns and mistakes that can delay–although luckily not always p...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Suits”

  SUITS:  Thursday 10PM on USA Last season, SUITS took a leap up in class, becoming not just the smartest and most sophisticated show on USA–which, let’s face it, isn’t the highest bar in the business...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Rookie Blue”

    The sparse network summer season for scripted series kicked off tonight with ROOKIE BLUE, beginning that extreme rarity, a 3d season, where few original network dramas in summer even get to a Season 2. WHERE WE WE...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Damages”

  DAMAGES:  Wednesday 9PM on DirecTV Audience Network   WHERE WE WERE:  Recoiling from Patty Hewes (Glenn Close), the most untrustworthy attorney in New York.  Patty is a spider, constantly setting traps for everyo...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Good Wife”

> The title “Best Drama On Network Television” used to mean a lot more than it does these days (what’s the competition?  Parenthood has lovely moments but also its share of contrivances; Fringe and The Va...
by Mitch Salem
 

 
 

THE SKED EARLY SUNDAY CABLE RATINGS – 6/15/12

  BREAKING BAD kicked off its 5th season in fine style for AMC last night, recording the show’s most-watched episode (2.9M viewers, up 14% from the Season 4 premiere), and what should be a 1.4 in the 18-49 demo, a wh...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Suits”

SUITS – Thursdays 10PM on USA   WHERE WE WERE:  On a precipice.  Mike Ross (Patrick J. Adams) was a hustler with limited formal education but a photographic memory.  He used his talents, among other things, to tak...
by Mitch Salem
 

 
 

THE SKED: “Dallas” Drills For Ratings

TNT’s much-hyped reboot of the venerable soap DALLAS got off to a good start, with a total viewership of 6.9 million people.  That’s the biggest launch of the year on basic cable, although it’s not even a rec...
by Mitch Salem
 

 

 

THE SKED: “Devious Maids” Takes A Walk to Lifetime

  It’s rare for a busted network pilot to find a home somewhere else, but DEVIOUS MAIDS, which had been created by Desperate Housewives‘ Marc Cherry initially for ABC (and by its in-house studio), has accomplis...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Hatfields & McCoys” Episode 1

    Even as the scripted drama business on the broadcast networks subsides into increasing irrelevance, new players arise who want to take part.  Dramas may not be cost-effective in the way that they once were, but t...
by Mitch Salem
 

 

 

THE SKED: “Smash” Makes It To Act 2

> SMASH, the ambitious musical drama that was intended from the start to be NBC’s new signature series (even if for some of us, it’s become a bit smudged) has officially been renewed for a 2d season. This was pretty...
by Mitch Salem
 

 
 

THE SKED FALL PILOT REPORT: CBS’s “Vegas”

  VEGAS:  Tuesday 10PM on CBS – Potential DVR Alert VEGAS is CBS’s version of swinging for the fences, which is to say that it can also be seen as a neon-lit, gold-edged version of Longmire.  This time the wi...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Ides of March”

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than i...
by Mitch Salem
 

 
 

PREMIERING TONIGHT – THE SKED PILOT REPORT: NBC’s “Chicago Fire”

  CHICAGO FIRE: Wednesday 10PM on NBC – Change the Channel Network television doesn’t come more dully generic than NBC’s “new” CHICAGO FIRE, a series that seems to be assembling itself out of ...
by Mitch Salem
 

 

 

THE SKED @ CABLE REVIEW: USA’s “Suits”

> Premieres Thursday 10PM on USA:  If Nothing Else Is On… (But it’s summer, so nothing is.) At this point, I think we could all identify a USA Network series blindfolded and with the soundtrack running backward...
by Mitch Salem