Posts Tagged ‘dysfunctional family’
 

 

SHOWBUZZDAILY Season Finale Review: “Succession”

  The most tantalizing question of the Summer 2018 TV season is whether Jesse Armstrong, the creator of HBO’s slow-boil triumph SUCCESSION, knew what he was doing all along, or if the first 3-4 episodes were as uncer...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “The Real O’Neals”

  THE REAL O’NEALS:  Tuesday 8:30PM on ABC – Change the Channel Whatever its other ailments, over the past few years ABC has had an extraordinary run of diverse, smart family sitcoms,–an area where other...
by Mitch Salem
 

 

 

THE SKED Midseason Premiere Review: “Dallas”

  DALLAS:  Monday 9PM on TNT As TNT pushes its action-oriented “Boom” branding campaign (successfully with The Last Ship, not so much with Murder In the First nor apparently the new Legends), DALLAS seems more...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Animal Kingdom”

  ANIMAL KINGDOM:  Tuesday 9PM on TNT ANIMAL KINGDOM has been a key part of TNT’s rebranding as a hipper TV destination than the home of Major Crimes and The Last Ship, and tonight’s Season 2 premiere promised...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Ray Donovan”

  RAY DONOVAN:  Sunday 9PM on Showtime It’s a bit surprising that RAY DONOVAN has been a steady performer for Showtime, considering that its tone tends toward the glum and monotonous, but next to Homeland, it’...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “9JKL”

  9JKL:  Monday 8:30PM on CBS – Change the Channel We usually do actors the favor of evaluating their work on a project separately from the quality of the project itself, willing to take their performances on their ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Good Behavior”

  GOOD BEHAVIOR:  Sunday 10PM on TNT As TNT continues with its scorched-earth policy of shedding its old-guard mainstream successes (Rizzoli & Isles, Major Crimes) for the more adult, serialized dramas favored by netw...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “Ray Donovan”

  Replacing a show’s creator with a new showrunner isn’t the preferred way for a series to proceed, but the change did some good for Season 3 of RAY DONOVAN, although tonight’s season finale didn’t ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Shameless”

  SHAMELESS:  Sunday 9PM on Showtime John Wells comes from the broadcast network school of showrunning, where he kept ER going for 22 (or more) episodes per year for more than a decade, and barely missed a beat when Aaron...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere TV Review: “Here and Now”

  HERE AND NOW:  Sunday 9PM on HBO – In the Queue HERE AND NOW is sort of the Alan Ball/HBO version of The Fosters, which means that its characters are a generation older, it has a lot of sex, a lot of talk, and a l...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE FILM REVIEW: “Hellion”

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Pilot + 1 Review: “The Family”

  THE FAMILY:  Sunday 9PM on ABC Previously… on THE FAMILY:  Ten years after his disappearance and presumed death, a now-teen Adam Warren (Liam James) appears, freshly escaped from what he describes as a decade spe...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Finding Carter”

  FINDING CARTER:  Tuesday 10PM on MTV Previously… on FINDING CARTER:  At 16, Carter Stevens (Kathryn Prescott) believed herself to be having a better-than-average adolescence, mostly due to a close bond with her e...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Midseason Finale Review: “This Is Us”

  Last week’s episode of NBC’s THIS IS US notched an impressive achievement:  in Live + 7 ratings, it moved past Empire to become the highest rated drama on broadcast TV.  Admittedly, L7 ratings aren’t ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “If Beale Street Could Talk” & “Ben Is Back”

  IF BEALE STREET COULD TALK (Annapurna – November 30):  Barry Jenkins’ follow-up to Moonlight received a rapturous standing ovation at its Toronto premiere, and it’s unquestionably a beautiful piece of ...
by Mitch Salem