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SHOWBUZZDAILY @ TORONTO: Galas and Special Presentations Announced

    The Toronto Film Festival is on its way, and SHOWBUZZDAILY will be there.  The Festival, which runs Sept 6-16, today announced the bulk of its highest-profile titles, those that will screen in the Gala and Specia...
by Mitch Salem
 
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Film Festival

THE SHOWBUZZDAILY LA FILM FEST REVIEW: “It’s A Disaster”

  IT’S A DISASTER:  Worth A Ticket – And They Feel Just (More Or Less) Fine   IT’S A DISASTER is the movie Seeking A Friend For the End of the World aspired, but failed, to be:  a laugh-out-loud, t...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Deep Blue Sea”

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.” ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “In the House”

Francois Ozon’s IN THE HOUSE is a delicious examination of the pleasures and dangers of addictive narrative.  Storytelling (and corresponding tricks of cinematic structure) has been an interest of Ozon’s throughout...
by Mitch Salem
 
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Film Festival

THE SHOWBUZZDAILY REVIEW: “Cloud Atlas”

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years o...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hyde Park on Hudson”

  To address the very specific elephant in HYDE PARK ON HUDSON‘s room:  it’s no King’s Speech.  It’s hard to avoid the comparison, because the two movies have a clear overlap, Hyde Park being t...
by Mitch Salem
 
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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 
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Articles

THE BIJOU @ TIFF: “Your Sister’s Sister”

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improv...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE: The Amityville Film Festival

> SHOWBUZZDAILY is only 2 weeks away from traveling to Park City, Utah for the 2012 Sundance Filim Festival, so the time seems right for a rant about the nightmare that is obtaining tickets for Sundance screenings.  Every ...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Moth Diaries”

> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her n...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Something In the Air” and “Ginger and Rosa”

Toronto this year provided two notable portraits of teenagers growing up in a time of political turmoil, Olivier Assayas’s SOMETHING IN THE AIR and Sally Potter’s GINGER AND ROSA. Assayas’s film is about th...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem
 
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THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 
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