Posts Tagged ‘film festival’
 

 

THE BIJOU @ TIFF: “The Deep Blue Sea”

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.” ...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL Day 1 Capsule Reviews: “The Magnificent 7″” & “Free Fire”

  THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23):  Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive th...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 

 

THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF; Collected Reviews

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MA...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Drive”

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “No One Lives”

  As movie bloodbaths go, NO ONE LIVES is almost–but not quite–clever enough to be worth seeing. We start with a backwoods family of petty outlaws, headed by father Hoag (Lee Tergesen) and including his wife, b...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “No”

  In 1988, the Chilean military dictatorship headed by General Augusto Pinochet was forced by diplomatic pressure to finally permit a democratic election, in order to prove its claim that the country’s people support...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Werner Herzog’s “Into the Abyss”

> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog&#...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Salmon Fishing In the Yemen”

> The first substantial buy of the Toronto Film Festival (Shame had sold first, but for art film prices) turned out to be Salmon Fishing In the Yemen, a modestly engaging romantic comedy from Lasse Hallstrom.  Hallstrom ha...
by Mitch Salem