Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Tammy”

  TAMMY:  Not Even For Free – Melissa McCarthy Fumbles Her Industry Clout When a star earns hundreds of millions of dollars for Hollywood, it can show its appreciation by handing over the creative reins to the star ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Jersey Boys”

  JERSEY BOYS:  Watch It At Home – Clint Eastwood Directing the Broadway Hit Is As Weird As It Sounds No one will mistake the combination of Clint Eastwood and JERSEY BOYS for the fortuitous collision of chocolat...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Edge of Tomorrow”

  EDGE OF TOMORROW:  Watch It At Home – Needed To Hit Reset One More Time There’s a lot of inventiveness in EDGE OF TOMORROW, which combines the premise of Groundhog Day with a War of the Worlds-like plot̵...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “The Fault In Our Stars”

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS witho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “A Million Ways To Die In the West”

  A MILLION WAYS TO DIE IN THE WEST:  Not Even For Free – They Don’t Include “Die Laughing” Seth MacFarlane, out from behind his high-concept animated and fantasy premises, has a surprisingly retr...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Maleficent”

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “X-Men: Days of Future Past”

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Noah”

  NOAH:  Worth A Ticket –The Word According to Darren Aronofsky When Darren Aronofsky decided to follow Black Swan, the biggest hit of his career, with the story of Noah and the Ark, it seemed like a perverse choice...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film/VOD Review: “Veronica Mars”

  VERONICA MARS:  Watch It At Home – Still a TV Show, For Better and Worse It was probably impossible for the movie of VERONICA MARS to live up to the story of how it came to be made.  That’s an epic, decade-...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “The Grand Budapest Hotel”

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Endless Love”

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Mar...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Winter’s Tale”

  WINTER’S TALE:  Not Even For Free – 2 Hours of Thin Tinsel The new movie WINTER’S TALE makes one ponder the phrase “labor of love.”  It marks the feature directing debut of the enormously ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY REVIEW: “Robocop”

  ROBOCOP:  Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but i...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Monuments Men”

  THE MONUMENTS MEN:  Watch It At Home – George Clooney’s Film Is No Classic Work of Art George Clooney’s THE MONUMENTS MEN is a startlingly complete failure.  It’s Clooney’s fifth film behi...
by Mitch Salem