Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY Film Review: “X-Men: Days of Future Past”

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost ...
by Mitch Salem
 

 
 

AFI FEST Film Review: “The Secret Life of Walter Mitty”

  THE SECRET LIFE OF WALTER MITTY:  Buy A Ticket – Ben Stiller’s Imaginative, Flawed Reboot Of The Classic Tale The movies Ben Stiller directs for himself (Reality Bites, Zoolander, Tropic Thunder) are nearly ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Tammy”

  TAMMY:  Not Even For Free – Melissa McCarthy Fumbles Her Industry Clout When a star earns hundreds of millions of dollars for Hollywood, it can show its appreciation by handing over the creative reins to the star ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Frozen”

  FROZEN:  Buy A Ticket – Your Grin Won’t Melt Until It’s Time to Leave A curious shift has been occurring at Disney over the past few years.  Glamor child Pixar has been churning out second-hand blockb...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Under the Skin”

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually b...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “London Road”

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show&#...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Oldboy”

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a raptu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Spotlight”

  Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common.  Last year we had the British biographies The Theory of Everything and The Imitation Game, which might ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “The Fault In Our Stars”

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS witho...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “Clouds of Sils Maria”

  CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The re...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Review: “I Think We’re Alone Now”

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot ...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Dallas Buyers Club”

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. �...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “The Lobster”

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult m...
by Mitch Salem