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SHOWBUZZDAILY Toronto 2014 Review: “St. Vincent”

  ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero.  The image has even attached itself to him professionally:  although he̵...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Past”

  Like his Oscar-winning A Separation, Asghar Farhadi’s THE PAST is concerned with the abyss of uncertainty and mystery that lies under seemingly straightforward actions, the ever-increasing complications that bec...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “This Is Where I Leave You”

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by the...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “The Grand Budapest Hotel”

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Blue Is the Warmest Color”

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated,...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “Truth”

  The screenwriter James Vanderbilt has made his directing debut with TRUTH, which premiered at the Toronto Film Festival tonight, and at times it’s clear that this is a writer’s movie:  Vanderbilt gives no fe...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “Nightcrawler”

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers,...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Oldboy”

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a raptu...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Review: “Colette”

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “London Road”

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show&#...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Monuments Men”

  THE MONUMENTS MEN:  Watch It At Home – George Clooney’s Film Is No Classic Work of Art George Clooney’s THE MONUMENTS MEN is a startlingly complete failure.  It’s Clooney’s fifth film behi...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Maleficent”

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Review: “I Think We’re Alone Now”

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot ...
by Mitch Salem
 
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Current Release

AFI FEST Film Review: “Lone Survivor”

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the ...
by Mitch Salem
 
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