Posts Tagged ‘HBO comedy’
 

 

THE SKED Series Premiere Review: “Hello Ladies”

  HELLO LADIES:  Sunday 10:30PM on HBO HBO sure loves it some Ricky Gervais-ian British comedy.  Apart from his stand-up specials, over the past few years the network has aired Extras, Life’s Too Short and The Rick...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Veep”

  VEEP:  Sunday 10:30PM on HBO VEEP, television’s most scintillatingly vicious comedy, returned with a relatively mild Season 3 premiere by its standards.  Largely that was because the script, written by Supervisin...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Hello Ladies”

  HELLO LADIES:  Sunday 10:30PM on HBO Previously… on HELLO LADIES:  Stephen (Stephen Merchant) is a British web designer who lives in LA, where he has a very nice house and two friends:  woeful, newly-separated W...
by Mitch Salem
 

 
 

THE SKED Pilot + 1 Review: “Silicon Valley”

  SILICON VALLEY:  Sunday 10PM on HBO Previously… on SILICON VALLEY:  Richard Hendrix (Thomas Middleditch) is a computer programmer with dreams of inventing the next big billion-dollar thing–and he may have a...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Hello Ladies”

  The formulaic TV sitcom plot can be summed up like this:  the protagonist has some understandable goal, but says or does the worst possible thing to achieve it, causing chaos–yet things work out OK in the end, and...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Last Week Tonight With John Oliver”

  LAST WEEK TONIGHT WITH JOHN OLIVER:  Sunday 11PM on HBO John Oliver’s was one of the feel-good TV stories of 2013.  Pulled into duty as substitute host of The Daily Show when Jon Stewart took a 3-month break to d...
by Mitch Salem
 

 

 

THE SKED Series Finale Review: “Eastbound & Down”

  Television is a little less berserk and interesting tonight with the departure (although not the death) of Kenny Powers (Danny McBride), the unstoppable id of EASTBOUND & DOWN.  The series finale, written by series ...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Silicon Valley”

  While not as loudly buzzy as Girls, SILICON VALLEY has been far more popular, indeed HBO’s highest-performing new comedy in quite a while (the fact that it follows the massive Game of Thrones on the network’s...
by Mitch Salem
 

 

 

THE SKED Series Premiere Review: “Getting On”

  GETTING ON:  Sunday 10PM on HBO – Worth A Look It’s probably safe to assume that when a network launches a short run of a new series to air only during the holiday season, and that show isn’t at all ho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Vice Principals”

  VICE PRINCIPALS:  Sunday 10:30PM on HBO – In the Queue Your feelings about HBO’s new VICE PRINCIPALS are likely to be determined by your instinctive reaction to the name Danny McBride.  For a decade now, si...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Getting On”

  GETTING ON:  Sunday 10PM on HBO Previously on… GETTING ON:  At a geriatric extended care ward in a Los Angeles hospital, Nurses Dawn (Alex Borstein) and Didi (Niecy Nash) attempt to cope with bureaucracy, their n...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Divorce”

  DIVORCE:  Sunday 10PM on HBO – In the Queue In its opening half-hour, HBO’s DIVORCE doesn’t show much interest in the “-medy” part of “dramedy.”  The series creator is Sharon H...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Getting On”

  HBO’s GETTING ON was generally close to unwatchable, and that’s meant as sort of a compliment.  Even in the world of pay-TV, where ratings aren’t always at the forefront of a network’s expectatio...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Insecure”

  INSECURE:  Sunday 10:30PM on HBO – In the Quene HBO introduces a promising new voice to TV comedy with Issa Rae’s INSECURE, which she created with Larry Wilmore (who left after pilot to concentrate on The Ni...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “Girls”

  GIRLS:  Sunday 10PM on HBO GIRLS is coming off a notably rocky second season, one in which Lena Dunham seemed to take up and abandon narrative structures and tones with the same disregard for consequence that her charac...
by Mitch Salem