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Reviews

SHOWBUZZDAILY Season Finale Review: “Big Little Lies”

  It’s odd for a successful TV series to be asked to justify its continued existence, but that’s where HBO’s BIG LITTLE LIES found itself after the network looked at the Season 1 ratings (not just high bu...
by Mitch Salem
 
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Articles

THE SKED’S SUNDAY SCRIPTED CABLE SCORECARD – 7/15/12

  Breaking Bad‘s arrival was the big ratings news on Sunday night, while the launch of Political Animals wasn’t. HBO:  TRUE BLOOD, as usual, took the night with a 2.7 that was a tick higher than last week, bea...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Run”

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assu...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hitchcock”

  HITCHCOCK:  Worth A Ticket (Opens November 23) – A Moderately Good Eve-ening The American Film Institute’s yearly festival opened tonight with the world premiere of the fittingly movie-centric HITCHCOCK.  I...
by Mitch Salem
 
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Articles

COUNTING TO 10: The Emmy Nominations

> The Emmys, of all show-business awards, lend themselves least to surprise.  That’s because they’re the only group that nominate and award continuing series, meaning that the same high-quality shows repeat yea...
by Mitch Salem
 
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Pilot + 1

THE SKED’S PILOT + 2 REVIEW: “The Newsroom”

  Previously… On THE NEWSROOM:  Will McAvoy (Jeff Daniels) and his executive producer Mackenzie MacHale (Emily Mortimer), with the support and encouragement of News Division head Charlie Skinner (Sam Waterston) are ...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Succession”

  In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare.  The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the ne...
by Mitch Salem
 
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Articles

THE SKED: Sunday’s Showtime, HBO Premiere Ratings

  Despite strong competition in every direction on Sunday night, Showtime had a very strong start for its winter line-up, setting new records for SHAMELESS, HOUSE OF LIES and CALIFORNICATION.  Demo numbers aren’t ye...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Westworld”

  Do Westworld‘s creators Jonathan Nolan and Lisa Joy have free will?  This third season of HBO’s was supposed to be fundamentally different from the first two, and certainly things changed in some key ways. ...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Treme”

  TREME thrives on its idiosyncracies–if “thrive” is the word for a show that hardly anyone watches–and one of those is its limited interest in engaging in a “season finale.”  Thus, ton...
by Mitch Salem
 
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Articles

THE SKED SEASON FINALE REVIEW: “Game of Thrones”

        After last week’s tumultuous, spectacular battle of Blackpool, tonight’s Season 2 finale of GAME OF THRONES was, necessarily, somewhat lower-key.  It served more as a coda, and as a tran...
by Mitch Salem
 
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Cable Ratings

THE SKED’S SUNDAY CABLE SCORECARD – 11/25/12

  AMC:  With one week to go until its fall finale, THE WALKING DEAD was of course at the top of the night, with a combined 7.0 (up 0.3 from last week) for its two primetime airings.  As has become traditional, this was o...
by Mitch Salem
 
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Articles

THE SKED: It’s Not LUCK; It’s HBO

> On virtually any network in America, the discovery that a hugely expensive new series–stocked with the highest-caliber talent, preceded by a multi-million dollar marketing campaign–had been watched in its debut by...
by Mitch Salem
 
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Articles

THE SKED SUNDAY SCRIPTED CABLE SCORECARD

  If everyone who wrote a snarky blog post about THE NEWSROOM had a Nielsen box, the show would have outrated the Super Bowl. HBO:  THE NEWSROOM had a 1.0 18-49 rating on 2.1 million total viewers, meaning about 65% of it...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Veep”

  VEEP:  Sunday 10PM on HBO You wouldn’t expect Armando Iannucci’s VEEP to change much from season to season, and you’d largely be right.  Notwithstanding its four-letter words and bustling cinema verit...
by Mitch Salem
 
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