Posts Tagged ‘indie’
 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Emanuel & The Truth About Fishes”

  EMANUEL AND THE TRUTH ABOUT FISHES is deeply, satisfyingly strange.  In a way, it’s a validation not just of Sundance, but the whole film festival system that is now our main way of finding out about distinctive ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “A Better Life”

    A BETTER LIFE – Watch It At Home:  Earnest Isn’t Enough   Impending disaster hangs over every early scene of Chris Weitz’s new film A BETTER LIFE.  As soon as we’re introduced to Carlos ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEWS: “In A Better World,” “Rubber” & “Super”

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counte...
by Mitch Salem
 

 
 
 
 
 
 
 
by Mitch Salem
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THE SHOWBUZZDAILY REVIEW: “Melancholia”

    MELANCHOLIA – Watch It At Home – The Title Tells the Tale   Here’s a quick primer in Oscar rules and how studios can get around them.  In order for a film to be Oscar-eligible (other than i...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Point Blank”

  POINT BLANK – Worth a Ticket:  A Thrill-Ride with Subtitles   The most gripping Hollywood thriller of the summer is… in French.  (But not for long.)  This isn’t a complete surprise:  POINT BLAN...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Safety Not Guaranteed”

  SAFETY NOT GUARANTEED:  Worth A Ticket – Time Is Of Its Essence Nothing in SAFETY NOT GUARANTEED happens the way you’d expect.  The film was inspired by a real-life classified ad run by someone looking for ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Road to Nowhere”

 Not At Any Price:  “Art” More Than Art   The name Monte Hellman doesn’t mean much to the vast majority of moviegoers, but Hellman is among the cultiest of American cult directors.  He came up the Roge...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Bellflower”

      BELLFLOWER – Worth A Ticket:  A Uniquely Mashed-Up Vision     Watching BELLFLOWER, you keep thinking that it’s going to resolve itself into some categorizable genre.  Mumblecore roma...
by Mitch Salem
 

 

 
 
 
 
 
 

THE BIJOU REVIEW: “Puncture”





Our Review / 5 - Terrible
by Mitch Salem
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THE SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 8/5/12

  The 41% Weekend 3 drop for THE DARK KNIGHT RISES (Warners) is a bit better than Dark Knight‘s parallel 43% decline, but in actual numbers, Dark Knight‘s 3d weekend is $6.3M ahead ($42.7M vs $36.4M), and the $...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Frances Ha” & “Imogene”

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Moonrise Kingdom”

  MOONRISE KINGDOM:  Worth A Ticket – The Kingdom is Wes Anderson’s     Wes Anderson seemed to find the perfect vehicle for his particular form of brilliance with 2009’s stop-motion animated Fa...
by Mitch Salem