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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Frances Ha” & “Imogene”

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may ...
by Mitch Salem
 
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Articles

THE SHOWBUZZDAILY REVIEW: “Moonrise Kingdom”

  MOONRISE KINGDOM:  Worth A Ticket – The Kingdom is Wes Anderson’s     Wes Anderson seemed to find the perfect vehicle for his particular form of brilliance with 2009’s stop-motion animated Fa...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “The Master”

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus ha...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Seeking A Friend For the End Of the World”

  SEEKING A FRIEND FOR THE END OF THE WORLD – Watch It At Home – Apocalypse Rom-Com Now   SEEKING A FRIEND FOR THE END OF THE WORLD marks the directing debut of its writer Lorene Scafaria, who until now ha...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Goats”

  Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot?...
by Mitch Salem
 
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Archive

THE SHOWBUZZDAILY REVIEW: “The Guard”

  THE GUARD – Worth A Ticket:  The Art of Performance, Crispy and Well-Done   I don’t know that there’s an actor in movies today more fun to watch than Brendan Gleeson.  Gleeson is probably best kn...
by Mitch Salem
 
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THE BIJOU REVIEW: “Tinker, Tailor, Soldier, Spy”





Our Review / 5 - Terrible
by Mitch Salem
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THE BIJOU REVIEW: “Puncture”





Our Review / 5 - Terrible
by Mitch Salem
0
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Current Release

THE SHOWBUZZDAILY REVIEW: “Lola Versus”

LOLA VERSUS:  Watch It At Home – An Unmemorable Woman   LOLA VERSUS‘ ambition is pretty clear:  it wants to be the 2012 version of Paul Mazursky’s 1978 comedy-drama AN UNMARRIED WOMAN, which is to say c...
by Mitch Salem
 
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Archive

THE SHOWBUZZDAILY REVIEW: “Puncture”

  PUNCTURE:  Worth A Ticket – A Bracingly Dark Ride   No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around.  “Unaccount...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Rust and Bone”

‎ Jacques Audiard doesn’t do sentimental. His last film, A Prophet, had the clear-eyed view of crime and the dramatic heft of a French version of “The Wire,” and his new and very different drama RUST & B...
by Mitch Salem
 
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THE BIJOU LIMITED RELEASE REVIEW: “A Better Life”





Our Review / 5 - Terrible
by Mitch Salem
0
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Archive

THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 
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Archive

THE SHOWBUZZDAILY REVIEWS: “Miral,” “Potiche” and “Peep World”

  People have been accusing Julian Schnabel’s MIRAL of being propaganda for the Palestinian cause, but in a way that’s an insult to propagandists, who are usually focused and effective at what they do.  Miral ...
by Mitch Salem
 
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