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Behind the Weekend US/Worldwide Box Office – 11/20/16

  OPENINGS:  The economics for FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) will probably put the film at $600-700M worldwide against roughly $350M in costs.  That’s a profitable place to be, although not quit...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/13/16

  OPENINGS:  The box office was boosted in general by Veterans Day, which gave many Americans a 3-day weekend, but ARRIVAL (FilmNation/Sony/Paramount) was still notably impressive with a $24M weekend at a mid-wide 2317 th...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/6/16

  OPENINGS:  DOCTOR STRANGE (Marvel/Disney) did what a Marvel movie is supposed to do.  In the US, its $85M debut was higher than the starts of Captain America and Thor (both $65-66M), and just a hair away from the Novem...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/30/16

  OPENINGS:  As is frequently the case these days, the biggest opening numbers are outside the US.  DOCTOR STRANGE (Marvel/Disney) won’t arrive here until Thursday night, but it’s already racked up $86M in 33...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/23/16

  OPENINGS:  BOO! A MADEA HALLOWEEN (Lionsgate) took the weekend with $27.6M, Tyler Perry’s biggest start since the $29.3M for 2010’s Why Did I Get Married Too.  Perry’s movies tend to run out of steam ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/9/16

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than s...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/2/13

  OPENINGS:  The studio-reported $28.5M weekend for Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) is below the $29.7M opening for Burton’s flop Dark Shadows.  Miss Peregrine cost l...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9/18/16

  OPENINGS:  None of the studio releasing new films this weekend had much to be happy about.  BLAIR WITCH (Lionsgate) was the top of the newcomers in the US, but with a $9.7M start, it’s low-end even by the standar...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9/4/16

  OPENINGS:  THE LIGHT BETWEEN OCEANS (DreamWorks/Reliance/Participant/Disney) brings to an ignominious end the distribution relationship between DreamWorks and Disney.  Their final shared title disappointed on every lev...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8/28/16

  OPENINGS:  DON’T BREATHE (Screen Gems/Sony) had an unusually strong Saturday for a horror movie, down just 1% from Friday (which, remember, these days includes Thursday night).  By way of comparison, Lights Out f...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/31/16

  OPENINGS:  JASON BOURNE (Perfect World/Universal) is claiming a $60M US start, although as is par for the course, that number includes an aggressive Sunday estimate and could come down a bit on Monday.  In any case, it...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/10/16

  OPENINGS:  THE SECRET LIFE OF PETS (Illumination/Universal) quintupled the next-highest grosser of the weekend, with the biggest opening in US history for an animated non-sequel at $103.2M, easily passing last year̵...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7/3/16

  OPENINGS:  The older, less frontloaded audience for THE LEGEND OF TARZAN (Village Roadshow/RatPac/Warners) allowed it to slip ahead of the holiday weekend’s new arrivals, down just 10% from Friday for a 3-day $38....
by Mitch Salem
 
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Behind the US/Worldwide Box Office – 6/19/16

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6/12/16

  OPENINGS:  The only new arrival this weekend certain of profitability is THE CONJURING 2 (New Line/RatPac/Warners).  It’s already earned $40.4M in the US (just lightly behind the first Conjuring‘s $41.9M op...
by Mitch Salem
 
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