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SHOWBUZZDAILY Sundance Reviews: “The Father,” “Nine Days” & “The Glorias”

THE FATHER (Sony Classics – TBD): It’s probably foolhardy to start making predictions about next year’s Oscars when this year’s haven’t even been handed out yet, but it’s hard to ima...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “When You Finish Saving The World” & “Fresh”

It’s the second consecutive Virtual Sundance, with safety, convenience and isolation in place of weather, shuttle buses and community. Over the next several days, we’ll be bringing you reviews of several Su...

by Mitch Salem

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Toronto Film Festival 2024 Reviews: “The Room Next Door” & “Eden”

THE ROOM NEXT DOOR (Sony Classics – Dec. 20): Pedro Almodovar’s first English-language feature is in keeping with his recent, more contemplative films (Pain and Glory, Parallel Mothers), but it’s eve...

by Mitch Salem

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THE SKED REVIEW: “Game Change”

> On Saturday night, HBO’s GAME CHANGE scored the network’s highest premiere rating for an original TV-movie in 8 years. (As it always the case with HBO, the movie will be rebroadcast many times, as well as be...

by Mitch Salem

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SBD AWARDWATCH: Movie/Miniseries Emmys

The Emmy Awards are coming up on Sunday, and over the next few days, we’re going to take a look at the nominees in major categories, and what should–and will–win. Today, the Movie/Miniseries section o...

by Mitch Salem

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SHOWBUZZDAILY @ SUNDANCE 2013: “Don Jon’s Addiction”

When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home. To a large extent, he’s pulle...

by Mitch Salem

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SHOWBUZZDAILY Film Review: “Carrie”

CARRIE: Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE. (In fairness to Peirce, it̵...

by Mitch Salem

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SHOWBUZZDAILY Toronto Film Festival Review: “Freeheld”

Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story. Not ...

by Mitch Salem

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SHOWBUZZDAILY Toronto Film Festival Reviews: “The Children Act,” “Suburbicon” & “Chappaquiddick”

THE CHILDREN ACT (no distrib): It’s not intended as disparagement to Ian McEwan’s novel and screenplay adaptation, or to Richard Eyre’s film, that THE CHILDREN ACT feels much of the time like it could...

by Mitch Salem

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SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

AFTER THE WEDDING (no distrib): The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawo...

by Mitch Salem

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SHOWBUZZDAILY Sundance Reviews: “The Father,” “Nine Days” & “The Glorias”

ShowbuzzDaily Sundance 2022 Reviews: “When You Finish Saving The World” & “Fresh”

Toronto Film Festival 2024 Reviews: “The Room Next Door” & “Eden”

THE SKED REVIEW: “Game Change”

SBD AWARDWATCH: Movie/Miniseries Emmys

SHOWBUZZDAILY @ SUNDANCE 2013: “Don Jon’s Addiction”

SHOWBUZZDAILY Film Review: “Carrie”

SHOWBUZZDAILY Toronto Film Festival Review: “Freeheld”

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Children Act,” “Suburbicon” & “Chappaquiddick”

SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

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