Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ass Backwards”

  The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she w...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Behind the Candelabra”

  We’re gradually discovering that Steven Soderbergh’s definition of “retirement” from filmmaking is a fairly narrow one.  It was recently announced that he plans to direct a new series for Cinemax...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “American Hustle”

  AMERICAN HUSTLE:  Buy A Ticket – David O. Russell’s Epic Romp Is a Party That Goes On Till Dawn Even though it’s concerned with con men, low-lifes and deluded losers, AMERICAN HUSTLE is the happiest mo...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Django Unchained”

  DJANGO UNCHAINED – Worth A Ticket – Pre-Civil War American History 101 With Professor Tarantino Quentin Tarantino is, when you think about it, the most successful avant-garde filmmaker in Hollywood.  His tri...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “The Lone Ranger”

  THE LONE RANGER:  Not Even For Free – The Silver Bullet Is Self-Inflicted Disney’s reluctance to produce THE LONE RANGER is well-documented; the studio even shut down the production shortly before shooting w...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Wish I Was Here”

  Zach Braff’s WISH I WAS HERE, his first film as a writer-director since Garden State 10 years ago, mixes genuine, deeply-felt emotion with the kind of contrivances that would grate even on a second-rate sitcom.  (...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Trouble With the Curve”

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Very Good Girls”

  VERY GOOD GIRLS is set in contemporary Brooklyn, but it’s shot (by Bobby Bukowski) with the kind of gauzy glow that suggests a European perfume commercial.  It’s lovely to look at, but also mystifying and u...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Evil Dead”

  EVIL DEAD:  Watch It At Home – Plenty of Icky, Not So Much Scary A slick, Hollywood-budgeted remake of Sam Raimi’s 1981 EVIL DEAD (actually there was a ‘the” in front of that one, the definite ar...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “2 Guns”

  2 GUNS:  Watch It At Home – Mindless Movie Action, The Old-Fashioned Way In this endless CG demo reel of a summer, the old-time, human-scaled mayhem of 2 GUNS is downright charming.  The idea of an action movie s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Blended”

  BLENDED:  Not Even For Free – A Bad Sitcom Episode, 4 Times As Long On the Adam Sandler Movie Pain-o-Meter (patent pending), the new BLENDED ranks about midway between the not-so-bad Just Go With It and the soul-c...
by Mitch Salem
 

 

 

SHOWBUZZDAILY VOD REVIEW: “The Magic of Belle Isle”

  THE MAGIC OF BELLE ISLE:  In Limited Theatrical Release and on VOD – If Nothing Else Is On   Few recent Hollywood career trajectories have been as puzzling as Rob Reiner’s.  From 1984-1992, Reiner dire...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Lincoln”

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “After Earth”

  AFTER EARTH:  Not Even For Free – The Smith Family In Outer Space In AFTER EARTH, Will Smith plays Cypher Raige, an emotionally austere father who withholds affection from his son because of his doubt that the boy...
by Mitch Salem