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THE SKED REVIEW: “Behind the Candelabra”

  We’re gradually discovering that Steven Soderbergh’s definition of “retirement” from filmmaking is a fairly narrow one.  It was recently announced that he plans to direct a new series for Cinemax...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Need For Speed”

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too ofte...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “American Hustle”

  AMERICAN HUSTLE:  Buy A Ticket – David O. Russell’s Epic Romp Is a Party That Goes On Till Dawn Even though it’s concerned with con men, low-lifes and deluded losers, AMERICAN HUSTLE is the happiest mo...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Ice Age: Continental Drift”

  ICE AGE:  CONTINENTAL DRIFT – Watch It At Home – The CSI of Family Franchises Does Its Thing   You know what the fabulous Peter Dinklage never gets to do on Game of Thrones?  Sing!  That’s remed...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “RED 2”

  RED 2:  Watch It At Home – Less Fizz in the Drink This Time The first RED was a disarming surprise, a rom-com action adventure about retired but very lethal spies as bubbly as it was explosive.  It made almost $2...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Now You See Me”

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this sea...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Man of Steel”

  MAN OF STEEL:  Watch It At Home – Another Guy In a Cape “Kneel before Zod!” the villain of that name roared in what’s probably the best-remembered piece of dialogue from Superman 2.  That line ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Promised Land”

  PROMISED LAND:  Watch It At Home – Promise, But No Fulfillment There’s an original idea located somewhere near (but not at) the heart of PROMISED LAND:  start with what would normally be an obvious storylin...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hitchcock”

  HITCHCOCK:  Worth A Ticket (Opens November 23) – A Moderately Good Eve-ening The American Film Institute’s yearly festival opened tonight with the world premiere of the fittingly movie-centric HITCHCOCK.  I...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “42”

  42:  Watch It At Home – The Hallmark Baseball Hall of Fame It may well be that 42 is the Jackie Robinson movie audiences want.  It’s a straightforward, handsomely-produced, inspirational telling of a genuin...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Sweetwater”

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized mov...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Young Ones”

  The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre.  Jake Paltrow’s entry into ...
by Mitch Salem
 
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