THE SITTER: Not At Any Price – Adventures In Bad Moviemaking Jonah Hill is awfully lucky to have made Moneyball this year. In that film, fueled by a brilliant Aaron Sorkin/Steven Zaillain script, he gave...
HAYWIRE: Worth A Ticket – For the Gasp-Inducing Fight Scenes Alone You might think that if a major, celebrated filmmaker were to take the extraordinary step of announcing, years in advance, that he ...
DISOBEDIENCE (no distrib): Sebastian Lelio’s adaptation (with Rebecca Landiewicz) of Naomi Alderman’s novel is one of the surprises of the festival. It would be perfectly reasonable for the idea of Rachel...
BEING FLYNN: Watch It At Home – Troubling Story That Doesn’t Go Deep Enough There’s a scene in Paul Weitz’s new film BEING FLYNN where Jonathan Flynn (Robert DeNiro), the alcoholic...
MEN IN BLACK 3: Watch It At Home – $250M Worth of “OK” After years of development, a famously troubled production, untold rewrites and a budget that even Sony admits is around $250M (meaning $400M+ wi...
PROJECT X: Not Even For Free – Don’t RSVP How is it that no one has yet produced a 3D found-footage movie? You’d think the combination of the most (usually) mind-numbing gimmicks of the past ...
THE DICTATOR: Watch It At Home – Little Shock, No Awe With Borat, Sacha Baron Cohen made one of the noisiest splashes into movie stardom of the past decade, daring and distinctive. The question was wheth...
CAT PERSON: It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s ...
JACK AND JILL: Not At Any Price – 2 Adam Sandlers is 2 Too Many Does anyone really expect an Adam Sandler movie to be good anymore? Seriously, if you put aside his occasional relatively serious effort...
NANNY (no distrib): Think Netflix’s Maid, but as a (sort of) horror movie. Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (...
PALM TREES AND POWER LINES (no distrib): Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does. 17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...