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SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem:  how to make a sensitive and funny (and not...
by Mitch Salem
 
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THE BIJOU RETROSPECTIVE: “Harry Potter and the Goblet of Fire”





Our Review / 5 - Terrible
by Mitch Salem
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THE SHOWBUZZDAILY REVIEW: “Mirror Mirror”

    MIRROR MIRROR:  Not Even For Free – 7 Years Bad Luck     When it was announced that 2012 would bring two big-budget movie versions of the Snow White story, not to mention TV’s Once Upon A Ti...
by Mitch Salem
 
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Articles

THE SHOWBUZZDAILY REVIEW: “Silent House”

      SILENT HOUSE:  Watch It At Home – A Curiosity   SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The mo...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Smashed”

  James Ponsoldt’s SMASHED (not to be confused with NBC’s Smash), which premiered in the Dramatic Competition at Sundance, is a new spin on a fairly old story.  The concept goes back (at least) to 1962’s...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Fright Night”

    FRIGHT NIGHT – Watch It At Home:  At Least Farrell Had Fun   The new remake of Tom Holland’s 1985 FRIGHT NIGHT has a great set of credentials.  Craig Gillespie, the director, was behind the well-reg...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Friends With Benefits”

    FRIENDS WITH BENEFITS – Worth A Ticket:  Almost Great   For about an hour, as you watch his new FRIENDS WITH BENEFITS, you could be forgiven for thinking that writer-director Will Gluck is the future o...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Lola Versus”

LOLA VERSUS:  Watch It At Home – An Unmemorable Woman   LOLA VERSUS‘ ambition is pretty clear:  it wants to be the 2012 version of Paul Mazursky’s 1978 comedy-drama AN UNMARRIED WOMAN, which is to say c...
by Mitch Salem
 
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THE BIJOU REVIEW: “Colombiana”





Our Review / 5 - Terrible
by Mitch Salem
0
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Current Release

THE SHOWBUZZDAILY REVIEW: “Prometheus”

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelo...
by Mitch Salem
 
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THE BIJOU REVIEW: “Young Adult”





Our Review / 5 - Terrible
by Mitch Salem
0
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THE SHOWBUZZDAILY REVIEW: “Killer Elite”

KILLER ELITE:  Watch It At Home – Neither Killer Nor Elite   The new KILLER ELITE takes little from Sam Peckinpah’s 1975 action movie apart from its title (Peckinpah used “The” in his) and the gene...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Rock of Ages”

ROCK OF AGES:  Watch It At Home – Stop Believin’   No one expects finesse from a movie musical constructed out of songs by Journey, Twisted Sister and Def Leppard.  And, to be certain, the hair-band era of th...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty a...
by Mitch Salem
 
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Articles

THE SHOWBUZZDAILY REVIEW: “The Five-Year Engagement”

  THE FIVE-YEAR ENGAGEMENT:  Watch It At Home – If Only The Engagement Were A Little Shorter…   Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pine...
by Mitch Salem
 
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