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OSCARLAND: The National Board of Review Mixes Things Up

  We noted yesterday that one of the useful things a pre-Oscars awards group can accomplish is mixing new titles and talent in with the conventional wisdom pool of front-runners, and the National Board of Review did that t...
by Mitch Salem
 
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OSCARLAND: “Alone Yet Not Alone” Now Really Alone

  The Oscars are not the Golden Globes.  That appears to be the underlying message of today’s action by the Academy of Motion Picture Arts & Sciences, revoking the Best Original Song nomination of “Alone Y...
by Mitch Salem
 
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OSCARLAND: AFI Top 10s

  The American Film Institute issued its list of the year’s Top 10 movies (and television shows) today, and their selections have been quite close to the Oscar nominees over the past couple of years, so they’re...
by Mitch Salem
 
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OSCARLAND: Does Anyone Have A Map?

  Over the past 10 days or so, a multitude of groups have presented awards for 2013’s best, with prizes given to screenwriters, editors, cinematographers, animators, and production designers.  FROZEN solidified its ...
by Mitch Salem
 
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OSCARLAND: Why and Why Not? – Best Director

  We’ve reviewed all the performers in the Best Supporting Actor, Best Supporting Actress, Best Actress and Best Actor categories, and now it’s time to look at the filmmakers themselves.  Here’s a last ...
by Mitch Salem
 
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OSCARLAND: Writers Guild Nominations

  The Writers Guild is unusual among awards-giving groups in that it strictly enforces the rule that only screenplays written for films produced under Guild agreements are eligible.  That tends to exclude some of the majo...
by Mitch Salem
 
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OSCARLAND: The Foreign-Language Short List

  What do Blue Is the Warmest Color and The Past have in common?  Two things, actually:  they’re both widely considered among the best foreign-language films shown in the US this year–and neither will be nomi...
by Mitch Salem
 
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OSCARLAND: Last Chance To Influence Oscar Voters

  The polls close for Oscar nomination votes at 5PM today LA time, amid anecdotal reports of many last-minute ballots being cast in a season crowded with contenders.  There is much last-minute maneuvering going on, from t...
by Mitch Salem
 
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OSCARLAND: Producers Guild Produces a Tie

  The Producers Guild of America didn’t clarify much of anything tonight by giving its Best Picture award to both 12 YEARS A SLAVE and GRAVITY.  That provided all 3 of the presumed frontrunners with a prize for the ...
by Mitch Salem
 
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OSCARLAND: Post-Golden Globes Fallout

  If it had happened, losing the Best Drama award at last night’s Golden Globes might have been the best thing that could have happened to 12 YEARS A SLAVE–while winning the award in the way that it actually di...
by Mitch Salem
 
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OSCARLAND: Why and Why Not? – Best Picture

  We’ve taken a tour through Best Actress and Best Actor, Best Supporting Actor and Best Supporting Actress, and Best Director, and that leaves one last major gold statue to be handed out.  As we have all along, we ...
by Mitch Salem
 
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OSCARLAND: The Battle Between Good and Evil Begins

  Over the weekend, this year’s Oscarland acquired its first helping of Conventional Wisdom, thanks to the initial release of 12 YEARS A SLAVE (Fox Searchlight) in theatres and the unveiling of SAVING MR. BANKS (Disn...
by Mitch Salem
 
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OSCARLAND: Award Season Begins

  The last two days have launched what will be a nearly non-stop parade of movie (and some television) accolades that won’t end until early March, when the final “and the Oscar goes to” is announced at LA...
by Mitch Salem
 
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OSCARLAND: The BAFTAs

  Although there were some new faces due to release patterns and category differences, in the big picture, the BAFTAs–Britain’s equivalent of the Oscars–turned out to be very much like the Golden Globes.�...
by Mitch Salem
 
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OSCARLAND: “American Hustle” Takes Top Prize At the SAG Awards

  AMERICAN HUSTLE walked away with the big prize at tonight’s Screen Actors Guild Awards, winning the accolade for Best Ensemble Cast of a Motion Picture.  Although the Ensemble Cast Award is commonly considered SAG...
by Mitch Salem
 
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