Posts Tagged ‘politics’
 

 

THE SKED’S PILOT + 1 REVIEW: “Boss”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Lincoln”

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Campaign”

  THE CAMPAIGN:  Not At Any Price – Abstain THE CAMPAIGN, like many a politician before it, tries to be all things to all people, and winds up delivering almost nothing. There was reason to be hopeful about The Camp...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 3 REVIEW: “The Newsroom”… and “Broadcast News”

  HBO has been airing a spiffy HD edition of James L. Brooks’ 1987 BROADCAST NEWS  in its recent rotation (it’s next scheduled for July 20 and 24), and that makes sense, since the Brooks film is one of the ack...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Homeland”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Ides of March”

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than i...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Last Resort”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Homeland”

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Good Wife”

  It’s a little churlish, in the face of tonight’s mostly splendid Season 4 finale of THE GOOD WIFE, to point out that for the most part, the rest of the season didn’t quite live up to its high level of ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “J. Edgar”

    J. EDGAR:  Watch It At Home – Brokeback Hoover   It’s a little unexpected that of all the films Clint Eastwood has directed, his new biography J. EDGAR most resembles The Bridges of Madison Count...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 4 REVIEW: “The Newsroom”

  We’re at the halfway point in Season 1 of THE NEWSROOM (so, yay!), and Aaron Sorkin celebrated by firing almost his entire writing staff.  (In a delightfully self-referential touch that TMI Magazine would apprecia...
by Mitch Salem
 

 
 

THE SKED NETFLIX REVIEW: “House of Cards” Episodes 1-2

  The historical significance of HOUSE OF CARDS in the evolution of television is by now well-established.  It’s the first original production created specifically for Netflix, and the company made its first bet a h...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Veep”

VEEP has no particular interest in going anyplace, so its season finale tonight was more or less the same as any other episode.  This has made for a fun, but somewhat repetitive, ride over the show’s initial 8-episode se...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor�...
by Mitch Salem
 

 

 
 
 
 
 
 

THE BIJOU REVIEW: “The Ides of March”





Our Review / 5 - Terrible
by Mitch Salem