Posts Tagged ‘politics’
 

 

THE SKED SEASON PREMIERE REVIEW: “Veep”

  VEEP:  Sunday 10PM on HBO You wouldn’t expect Armando Iannucci’s VEEP to change much from season to season, and you’d largely be right.  Notwithstanding its four-letter words and bustling cinema verit...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Hunger Games”

  THE HUNGER GAMES:  Worth A Ticket – The Odds Are Mostly In Its Favor   Now that virtually every blockbuster movie opens in IMAX, going to an IMAX theatre at this time of year provides a de facto trailer festi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Veep”

VEEP has no particular interest in going anyplace, so its season finale tonight was more or less the same as any other episode.  This has made for a fun, but somewhat repetitive, ride over the show’s initial 8-episode se...
by Mitch Salem
 

 
 

THE SKED REVIEW: SNL Weekend Update Thursday

  When football teams have a late game on Sunday and then have to play in the next Thursday night game, they sometimes blame a loss on the short week and limited practice.  Lorne Michaels and the SNL writing staff may wan...
by Mitch Salem
 

 

 

THE SKED Netflix Review: “House Of Cards” Season 2 (Eps 8-10)

  House of Cards Season 2 Eps 1-3 Review Here. Eps 4-7 Review Here. At the three-quarters mark, this season of HOUSE OF CARDS has a somewhat different feel, not just from the English original but from the initial Netflix s...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Broken City”

  BROKEN CITY:  Watch It At Home – Wahlberg and Crowe In An Intriguing But Too Simplistic Thriller Studios love nothing better than predictability, so since Mark Wahlberg had a tidy January hit last year with Contra...
by Mitch Salem
 

 

 

THE SKED PILOT REVIEW: “The Newsroom”

THE NEWSROOM:  Sundays 10PM on HBO – DVR Alert We live in an era of TV auteurs.  Although there will always be networks and studios writing the checks–just ask Dan Harmon–it’s arguably the case that wr...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 4 REVIEW: “The Newsroom”

  We’re at the halfway point in Season 1 of THE NEWSROOM (so, yay!), and Aaron Sorkin celebrated by firing almost his entire writing staff.  (In a delightfully self-referential touch that TMI Magazine would apprecia...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Homeland”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 8/28/12

  Republicans ♥ NBC? NBC:  Somewhat ironically, considering the Right’s loathing of MSNBC, preliminary numbers have the Peacock as the GOP network of choice for last night’s coverage of the REPUBLICAN NATION...
by Mitch Salem
 

 

 

THE SKED’S MIDSEASON PILOT REPORT: NBC’s “1600 Penn”

  1600 PENN:  TBD Midseason on NBC – If Nothing Else Is On… Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and re-scored, and...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Boss”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Veep”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Good Wife”

  It’s a little churlish, in the face of tonight’s mostly splendid Season 4 finale of THE GOOD WIFE, to point out that for the most part, the rest of the season didn’t quite live up to its high level of ...
by Mitch Salem
 

 

 

THE SKED NETFLIX REVIEW: “House of Cards” Episodes 1-2

  The historical significance of HOUSE OF CARDS in the evolution of television is by now well-established.  It’s the first original production created specifically for Netflix, and the company made its first bet a h...
by Mitch Salem